Music

发行时间:2012-01-01
发行公司:Decca (UMO)
简介:  “古典玩家”戴维•嘉雷特推出全新专辑《音乐圣殿》(Music),这是继百万销量唱片《摇滚交响曲》(Rock Symphony)及古典回归力作《传奇再现》(Legacy)之后又一张跨界专辑,收录嘉雷特本人最钟爱的曲目,旨在向摇滚天团及古典大师们致敬。   小提琴传奇演奏家梅纽因在世时,曾夸赞戴维·嘉雷特的琴艺“非比寻常的精彩” 14岁时便与DG签下独家合约。近年来,更两度获得德国回声奖(ECHO)最畅古典艺术家称号。他不仅是天才演奏家,更身兼时尚名模等多重身份,被欧洲媒体誉为“古典乐坛的贝克汉姆”。年少成名,以及过往的诸多耀眼成绩使戴维·嘉雷特举手投足间便赚足媒体与乐迷的关注度,但他却并不希望按照任何人的固定期望来发展自己,多年来潜心研究,不断挑战与突破自我,尝试并成功跨越不同的演绎风格,吸引不同世代的乐迷。此次在《音乐圣殿》(Music)中,他藉由最多样的选曲方式,展现出小提琴完美驾驭流行、古典、摇滚、浪漫、朋克与华丽巴洛克音乐的艺术风采。“我尝试为古典乐作品赋予不同的演绎风格,将古典乐带入全新的概念与背景,在试着结合流行元素的同时,也保持原曲的精神。”他发现酷玩乐队(Coldplay)畅销曲“Viva La Vida” 在音乐结构上与巴赫的赋格创作手法极为相似,于是,在诠释这首歌曲时借助效果器来营造出宛如管弦乐团伴奏的层次感;演绎迈克尔•杰克逊金曲“Human Nature”时挖掘出小提琴潜在的打击乐特质,以拨奏方式呈现小提琴最脆弱的弦音;在肖邦《夜曲》中以小提琴营造属于流行情歌的情感氛围;“Whole Lotta Bond”则融合007电影主题音乐“James Bond Theme”与齐柏林飞艇乐队(Led Zeppelin)的经典作品“Whole Lotta Love”,透过小提琴架构起电影音乐与摇滚乐和谐共存的音乐空间;在挑战伟大摇滚天团皇后乐队的经典作“We Will Rock You”时,一方面保留原曲朴实纯粹的冲劲与爆发力,一方面将旋律与帕格尼尼《随想曲》进行串联,展现精湛琴技的同时,也让这首摇滚名曲绽放出新的锋芒。    戴维还透过两种不同的小提琴演奏方式来呈现贝多芬的《D小调第九号交响曲》。一次是在演绎风格强烈、步调快速的《诙谐曲》(Beethoven-Scherzo)时,特意加重乐曲的节奏与动能,产生一种近乎摇滚乐行进步调的感觉;另一次则是选择演绎贝多芬著名的《欢乐颂》(Ode To Joy)借此点出专辑中每一首乐曲相互交融,充满力与美的音乐主题。   “伟大的音乐是永垂不朽的。”戴维•嘉雷特以此张专辑展现小提琴跳跃于不同类型音乐的活力,同时也树立小提琴在进行跨界演出时的完美声影。 希望通过这些精心改编的旋律唤醒听到此唱片的每一个人,并传递拥抱生命且尊重彼此的和谐态度。(sohu)   Music appears with the brand new album by David Garrett, further demonstrating that it is able to combine the different worlds of classical music, rock and pop like no other artist of our time.   After Rock Symphonies and the classical album Legacy, which earned him a record in the charts and also the gold award to notify the star violinist back with his new work.   That the internationally acclaimed violinist not only spatial, but also in the artistic sense beyond the limits, illustrates the selection of songs from "We Will Rock You" (Queen), "Cry Me A River" (Justin Timberlake), "Viva La Vida "(Coldplay) to" Music "(John Miles)," Scherzo "(Beethoven) - David Garrett looks straight into the diversity, the challenge for a crossover album:   "I feel with all my edits never about sounds and voices such as the quasi Queen and Freddy Mercury copy on my instrument over. (..) You need a lot of creativity to make the sparks fly and the works in the new to show light. "
  “古典玩家”戴维•嘉雷特推出全新专辑《音乐圣殿》(Music),这是继百万销量唱片《摇滚交响曲》(Rock Symphony)及古典回归力作《传奇再现》(Legacy)之后又一张跨界专辑,收录嘉雷特本人最钟爱的曲目,旨在向摇滚天团及古典大师们致敬。   小提琴传奇演奏家梅纽因在世时,曾夸赞戴维·嘉雷特的琴艺“非比寻常的精彩” 14岁时便与DG签下独家合约。近年来,更两度获得德国回声奖(ECHO)最畅古典艺术家称号。他不仅是天才演奏家,更身兼时尚名模等多重身份,被欧洲媒体誉为“古典乐坛的贝克汉姆”。年少成名,以及过往的诸多耀眼成绩使戴维·嘉雷特举手投足间便赚足媒体与乐迷的关注度,但他却并不希望按照任何人的固定期望来发展自己,多年来潜心研究,不断挑战与突破自我,尝试并成功跨越不同的演绎风格,吸引不同世代的乐迷。此次在《音乐圣殿》(Music)中,他藉由最多样的选曲方式,展现出小提琴完美驾驭流行、古典、摇滚、浪漫、朋克与华丽巴洛克音乐的艺术风采。“我尝试为古典乐作品赋予不同的演绎风格,将古典乐带入全新的概念与背景,在试着结合流行元素的同时,也保持原曲的精神。”他发现酷玩乐队(Coldplay)畅销曲“Viva La Vida” 在音乐结构上与巴赫的赋格创作手法极为相似,于是,在诠释这首歌曲时借助效果器来营造出宛如管弦乐团伴奏的层次感;演绎迈克尔•杰克逊金曲“Human Nature”时挖掘出小提琴潜在的打击乐特质,以拨奏方式呈现小提琴最脆弱的弦音;在肖邦《夜曲》中以小提琴营造属于流行情歌的情感氛围;“Whole Lotta Bond”则融合007电影主题音乐“James Bond Theme”与齐柏林飞艇乐队(Led Zeppelin)的经典作品“Whole Lotta Love”,透过小提琴架构起电影音乐与摇滚乐和谐共存的音乐空间;在挑战伟大摇滚天团皇后乐队的经典作“We Will Rock You”时,一方面保留原曲朴实纯粹的冲劲与爆发力,一方面将旋律与帕格尼尼《随想曲》进行串联,展现精湛琴技的同时,也让这首摇滚名曲绽放出新的锋芒。    戴维还透过两种不同的小提琴演奏方式来呈现贝多芬的《D小调第九号交响曲》。一次是在演绎风格强烈、步调快速的《诙谐曲》(Beethoven-Scherzo)时,特意加重乐曲的节奏与动能,产生一种近乎摇滚乐行进步调的感觉;另一次则是选择演绎贝多芬著名的《欢乐颂》(Ode To Joy)借此点出专辑中每一首乐曲相互交融,充满力与美的音乐主题。   “伟大的音乐是永垂不朽的。”戴维•嘉雷特以此张专辑展现小提琴跳跃于不同类型音乐的活力,同时也树立小提琴在进行跨界演出时的完美声影。 希望通过这些精心改编的旋律唤醒听到此唱片的每一个人,并传递拥抱生命且尊重彼此的和谐态度。(sohu)   Music appears with the brand new album by David Garrett, further demonstrating that it is able to combine the different worlds of classical music, rock and pop like no other artist of our time.   After Rock Symphonies and the classical album Legacy, which earned him a record in the charts and also the gold award to notify the star violinist back with his new work.   That the internationally acclaimed violinist not only spatial, but also in the artistic sense beyond the limits, illustrates the selection of songs from "We Will Rock You" (Queen), "Cry Me A River" (Justin Timberlake), "Viva La Vida "(Coldplay) to" Music "(John Miles)," Scherzo "(Beethoven) - David Garrett looks straight into the diversity, the challenge for a crossover album:   "I feel with all my edits never about sounds and voices such as the quasi Queen and Freddy Mercury copy on my instrument over. (..) You need a lot of creativity to make the sparks fly and the works in the new to show light. "