《我心属于你》电影原声

发行时间:1994-10-04
发行公司:索尼音乐
简介:  Only You is a cute little romantic comedy. It has a good cast who work wonderfully together and a fun story. However, Rachel Portman's score pushes this simple film to the next level. With her music, she captures the core essence of the characters, story, situations, etc. and pulls more out of them than could be expected usually. Also, the collection of pop and classical favourites all work as well. Although it would be nice to get all of the score uninterrupted, these selections do a good job of effectively complementing the main attraction of this soundtrack, Ms. Portman's score.   After a turn by the inimitable Louis Armstrong singing the title track, the magical and dreamy texture of the short track "Written in the Stars" immediately tells the listener what to expect from the film, although it is out of order from where it is heard in the film. The shortness of the track is an intoxicating invitation to listen to more. This is followed by Ezio Pinza's rendition of "Some Enchanted Evening," which itself is followed by the delightful "I'm Coming With You" which accompanies Faith's dash to the airport. After "O Sole Mio" and Verdi's "Libiamo Ne' Lieti Caliei" from his opera LA TRAVIATA, the alternating of the score and song ends, and Ms. Portman's score takes the spotlight. Without the distractions of the songs, it is easy to get lost in her soundscapes. The consistency of quality which is heard makes Ms. Portman's considerable talents obvious.   One of the strongest examples of Ms. Portman's music is the incredible ONLY YOU theme itself. I associate this theme principally with Marisa Tomei's character, Faith. This lush and beautiful music perfectly encapsulates all of the elements of Faith's personality. With each statement of this music, it gets more elaborate and unrestrained.
  Only You is a cute little romantic comedy. It has a good cast who work wonderfully together and a fun story. However, Rachel Portman's score pushes this simple film to the next level. With her music, she captures the core essence of the characters, story, situations, etc. and pulls more out of them than could be expected usually. Also, the collection of pop and classical favourites all work as well. Although it would be nice to get all of the score uninterrupted, these selections do a good job of effectively complementing the main attraction of this soundtrack, Ms. Portman's score.   After a turn by the inimitable Louis Armstrong singing the title track, the magical and dreamy texture of the short track "Written in the Stars" immediately tells the listener what to expect from the film, although it is out of order from where it is heard in the film. The shortness of the track is an intoxicating invitation to listen to more. This is followed by Ezio Pinza's rendition of "Some Enchanted Evening," which itself is followed by the delightful "I'm Coming With You" which accompanies Faith's dash to the airport. After "O Sole Mio" and Verdi's "Libiamo Ne' Lieti Caliei" from his opera LA TRAVIATA, the alternating of the score and song ends, and Ms. Portman's score takes the spotlight. Without the distractions of the songs, it is easy to get lost in her soundscapes. The consistency of quality which is heard makes Ms. Portman's considerable talents obvious.   One of the strongest examples of Ms. Portman's music is the incredible ONLY YOU theme itself. I associate this theme principally with Marisa Tomei's character, Faith. This lush and beautiful music perfectly encapsulates all of the elements of Faith's personality. With each statement of this music, it gets more elaborate and unrestrained.
 
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