The first six songs of this collection feature this vision of the group: hard, uncompromising, idiosyncratic tunes that turn pop music inside out with devastating results. "Public Image" is the residual fury of the Sex Pistols' breakup rendered with spiky guitars and Lydon's patented snarl. "Careering" and "Memories" are skeletal art rock based on the atmospherics of dub music and perverse dance grooves. But by the Bill Laswell-produced "Rise," PiL was no longer a group but Lydon's personal pop vehicle. The music became increasingly accessible, allowing for "alternative" hits such as "Seattle" on college radio and other tunes that, while enjoyable, do not challenge the status quo as advertised.