Still mixing up his pitches with erratic success, Eddie Harris comes up with another LP full of abrupt changes of gear. There is electric funk, some sumptuous big-band charts (courtesy of Richard Evans), new electronic attachments for his sax, some sorties into Jamaican reggae on "Love Is Too Much to Touch" and Brazilian samba on "Come Dance with Me," and the reliably funky guitarist Ronald Muldrow is always at hand.