Mae's pensive, pretty sounding, piano-steered opener, "We're So Far Away," is sure to make swooning emo chicks and fans of Ben Folds get all tingly, but it's a misleading way to christen The Everglow. Still disciples of roaring, commercial-sounding modern rock with an ambiguous message from Jimmy Eat World to Relient to Copeland will be relieved that Dave Elkins and Co. are quick to turn it up a notch and bring out the anthems as expected. From the airwave-ready "Someone Else's Arms" to the buoyant "Suspension" and on to the infectiously poppy "Breakdown," Mae is hard to dismiss and even harder to dislike.