This pleasant 1976 release continues in the tradition of richly arranged symphonic pop that characterized much of their output. In contrast with previous releases however, the arrangements seem a little more elaborate and even include the use of an orchestra and a choir. The overall feel of the album is a bit sad and somewhat dark. 　　 　　The lineup on this album included Les Holroyd (bass; acoustic guitar; and vocals); Woolly Wolstenholme (Hammond organ; mellotron; synthesizers; and vocals); Mel Pritchard (drums and percussion); and John Lees (electric and acoustic guitars; vocals). In general, the one thing that really stands out on this album are the vocal harmonies, which are superb. I also love the use of synthesizers which add a great deal to the symphonic aspects of this album. 　　 　　The seven tracks on the album range in length from 4'21" to 7'57 and are all excellent examples of symphonic pop. Arrangements are lush and the instrumentation emphasizes acoustic textures, although there are a few up-tempo and electric sections. One of my favorite moments on this album is during the choir section (augmented with a celestial, "churchy" sounding organ), whereby a smaller chorus of male voices sing in a completely different key and meter than the rest of the choir. Although the effect is subtle, I found the dissonance to be pretty cool. In large part however, the pieces are very well arranged songs that feature pleasant melodies and excellent vocal harmonies. In addition to the more lavishly arranged pieces, there are a few straightforward pop songs on here, e.g. Rock and Roll Star, that are vaguely reminiscent of American west coast soft rock (think Eagles here). There is a unifying mood to all of the pieces and that is one of melancholy. In fact, the last song describes someone committing suicide (complete with sound effects I might add). I think that it is this emotional sophistication that really makes the band work for me. 　　 　　This remastered version is just great and features loads of liner notes, pictures of the group, and lyrics. The bonus tracks on the album include remixes of the same tracks included on the original album and do not add too much. 　　 　　All in all, this is a great album of symphonic pop with a lot of emotional sophistication. Recommended along with Everybody is Everybody Else (1974) and a few other albums that are somewhat similar in texture including a few by the Strawbs (Hero and Heroine, 1974; Ghosts, 1975); and a few by The Alan Parsons Project (Tales of Mystery and Imagination, 1976; and I Robot, 1977).