Cover art, front: a behatted (of course) Dwight, face completely hidden. Back: a shapely, half-nude model sporting a Persistence of Memory-style clock eyeing a sink overflowing with water and calendar pages. Title tune: one of Yoakam's most hardcore Bakersfield 'tonkers. It sits alongside a couple of rockers, a handful of inspired weepers, and two inexorably flowing country-pop numbers ("A Thousand Miles from Nowhere" and "Ain't That Lonely Yet") that deserved every second of airplay they got. He'd be even better when he entered the studio again (for Gone), but the only slouching he does here is in the photographs.