Bette Midler's self-titled 1973 second album is a notch below "The Divine Miss M," but that is hardly surprising since her debut effort so wonderfully defined her singing persona (although this album did chart slightly higher). "Bette Midler" is in the same vein, mixing Forties Boogie-Woogie with some R&B and straight out blues. Once again Barry Manilow, who played piano for Midler when she was starting out, provides some solid production values to the effort. The standout kitsch track is when she starts off "The Lullaby of Broadway" with "The Optimistic Voices" from "The Wizard of Oz." Her high octane version of "In the Mood" was the one single released from the album, but it only made it to #51 on Billboard. However, look over the play list and clearly Midler is trying to provide some substance with the style when she is recording songs by Kurt Weil and Bertolt Brecht, not to mention Johnny Mercer, Hoagy Carmichael, and Bob Dylan, although the latter's "I Shall Be Released" seems a tad out of place (check out the live version on "Divine Madness" where it comes out of the Stones' "You Can't Always Get What You Want"). This album is still worth having, but only after you get the ones that came before it and after it ("Songs for the New Depression"), which are the two best albums from the early years of Midler's career (i.e., anything before "The Rose"). Of course, if you have ever seen Midler perform live, it is pretty hard not to want to own everything she has ever recorded