Ken DrydenLouis Armstrong's Satchmo: A Musical Autobiography was recorded as an oral memoir (with overdubbed background piano byBilly Kyle) combined with re-creations of many of his memorable recordings, as well as a few of the originals. Although such a project had the potential to become trite, the effort comes off very well indeed. This three-CD reissue has a few improvements as well. Almost every track that was previously edited to fit onto LPs has been restored to its original length. 　　Louis Untermeyer's original liner notes have been augmented by excellent updated text byJoshua Berrett. And in spite of the warning about sound problems from using some deteriorated tapes and worn discs as source material, the audio experience is quite pleasing. While these re-creations aren't meant to take the place of Armstrong's historic recordings from earlier decades withKing Oliver,Earl Hines, and other greats, they have stood the test of time rather well, except for the, at best, average vocals ofVelma Middleton; Armstrong's furor with the suggestion that he omit the plump singer from his set during the 1957 Newport Festival is described in detail inBerrett's notes. While this collection isn't the initial purchase a neophyte jazz fan would pick up from Armstrong's immense catalog, his interesting narrative and the enjoyable renditions of tunes closely associated with him make this a very worthwhile purchase.