"Crazy Feeling", "She's My Best Friend" and "Coney Island Baby" found Reed actually writing recognizable love songs for a change, and while Reed pursued his traditional interest in the underside of the hipster's life on "Charlie's Girl" and "Nobody's Business", he did so with a breezy, freewheeling air that was truly a relief after the lethargic tone of Sally Can't Dance. "Kicks" used an audio-tape collage to generate atmospheric tension that gave its tale of drugs and death a chilling quality that was far more effective than his usual blasé take on the subject, and "Coney Island Baby" was the polar opposite, a song about love and regret that was as sincere and heart-tugging as anything the man has ever recorded. Coney Island Baby sounds casual on the surface, but emotionally it's as compelling as anything Lou Reed released in the 1970s, and proved he could write about real people with recognizable emotions as well as anyone in rock music something you might not have guessed from most of the solo albums that preceded it.