Flesh And Bone
发行时间:1997-04-01
发行公司:环球唱片
简介: Flesh and Bone is the fifth studio album by singer/songwriter Richard Marx. It was released in 1997 and was Marx's final studio album released on the Capitol Records imprint. (Marx returned to EMI-Capitol in 2004.) This album peaked at #70 on the Billboard album chart and sold approximately 250,000 copies in the United States.
The single "Until I Find You Again" reached #3 on the Billboard Adult Contemporary chart and peaked at #42 on the Billboard Hot 100 in the spring of 1997. Early pressings featured a bonus acoustic EP titled To The Bone. The single and album both hit #1 in several international markets. It was Richard's first new studio release that did not produce a #1 song in America.
Stephen Thomas Erlewine Flesh & Bone is an improvement from Paid Vacation, mainly because Richard Marx isn't trying as hard to be contemporary. Marx has accepted, more or less, that he isn't fighting for a position in the Top 40 and has resigned himself to the adult contemporary charts. While that means Flesh & Blood doesn't even rock as hard as, say, "Don't Mean Nothin'," it does mean that is pleasantly and inoffensively melodic, with more memorable moments than its predecessor
Flesh and Bone is the fifth studio album by singer/songwriter Richard Marx. It was released in 1997 and was Marx's final studio album released on the Capitol Records imprint. (Marx returned to EMI-Capitol in 2004.) This album peaked at #70 on the Billboard album chart and sold approximately 250,000 copies in the United States.
The single "Until I Find You Again" reached #3 on the Billboard Adult Contemporary chart and peaked at #42 on the Billboard Hot 100 in the spring of 1997. Early pressings featured a bonus acoustic EP titled To The Bone. The single and album both hit #1 in several international markets. It was Richard's first new studio release that did not produce a #1 song in America.
Stephen Thomas Erlewine Flesh & Bone is an improvement from Paid Vacation, mainly because Richard Marx isn't trying as hard to be contemporary. Marx has accepted, more or less, that he isn't fighting for a position in the Top 40 and has resigned himself to the adult contemporary charts. While that means Flesh & Blood doesn't even rock as hard as, say, "Don't Mean Nothin'," it does mean that is pleasantly and inoffensively melodic, with more memorable moments than its predecessor