Via Crucis
发行时间:2010-03-22
发行公司:华纳唱片
简介: L'Arpeggiata, the French-based ensemble directed by Austrian-born harpist and lutenist Christina Pluhar, releases its second Virgin Classics album, following Teatro d'amore, a programme of Monteverdi which blended instruments and voices, score and improvisation in a kind of sublime Baroque jam session! Figaro magazine observed that "L'Arpeggiata invests Monteverdi with a dazzling array of vocal and instrumental colours. A touch of improvisation raises the singing to an incandescent level ... A unique distillation of explosive vitality," while the leading German news magazine Spiegel exclaimed: "Roll over, Monteverdi; it is a long time since classical music has held so many surprises or taken such a broad view."
L'Arpeggiata has made a speciality of exploring and exploiting the close links between Baroque repertoire and the traditional music of the Latin world and its characteristic forms such as the tarantella, the folia or the canario. In this new collection, Via Crucis, 'the way of the Cross', the focus is on the pervasive presence of religious feeling in Southern Europe. The Passion of Christ evokes the same fervour in composers such as Giovanni Felice Sances (1600-1679) or Tarquinio Merula (1594-1665) - both active in northern Italy -- as it does in the streets of Naples or the villages of Corsica. The two main works in the collection are Sance's extraordinary Stabat Mater and Merula's Hor ch'e tempo di dormire, in which the Virgin Mary lulls her baby to sleep while weeping for his future suffering and both enthrall the listener with a basso ostinato and hypnotic swaying rhythms.
Reviewing Teatro d'amore, L'Education musicale wrote that: "Ingeniously chosen vocal works are interspersed with important instrumental pieces, taking us on a supreme journey through Monteverdi. The communicative energy and the intense sculptural beauty of pieces like the final duet from L'incoronazione de Poppea or rich sequences of madrigals are transformed by an ensemble that is palpably composed of soloists. Most astonishing of all - and this is a significant discovery - is the modernity that lurks in this music ... A Venetian piece from 1664 makes one wonder whether it's a matter of Monteverdian style or jazz rhythms. ... The addition of two exceptional voices adds further appeal to this fusion of genres : Philippe Jaroussky, whose angelic timbre fills the lines blissfully and Nuria Rial, who brings a velvety tenderness. When they come together the mood reaches sensual heights. This is far more than a compilation ... it is music in its truest manifestation."
Philippe Jaroussky – contre-tenor
Nuria Rial – soprano
Ensemble Barbara Fortuna :
Jean Pierre Marchetti – Terza
André Dominici – Bassu
Jean Philippe Guissani – Bassu, contracantu
Maxime Merlandi – Seconda
Ensemble L‘Arpeggiata – Christina Pluhar :
Christina Pluhar – théorbe, harpe, direction
Eero Palviainen – archiluth, guitare baroque
Marcello Vitale – chitarra battente, guitare baroque
Charles Edouard Fantin – luth, guitare baroque
Margit Übellacker – psalterion
Elisabeth Seitz – psalterion
Marina Albero – dulcimer
Sarah Ridy – harpe baroque
Doron David Sherwin – cornet à bouquin
Mira Glodeanu – violon baroque
Veronika Skuplik – violon baroque
Alessandro Tampieri – violon baroque
Raul Orellana – violon baroque
Rodney Prada – viole de gambe
Paulina Van Laarhoven – lirone, violetta
Vittorio Ghielmi – viole de gambe
Imke David – viole de gambe
Christine Plubeau – viole de gambe
Josextu Obregon – violoncello
Richard Myron – contrebasse, violone
Boris Schmidt – contrebasse
Haru Kitamika – orgue, clavecin
Francesco Turrisi – clavecin
David Mayoral – percussions
Michèle Claude – percussions
avec la particiaption de :
Fulvio Bettini – baritenore
Vincenzo Capezzuto – tenorino napoletano
L'Arpeggiata, the French-based ensemble directed by Austrian-born harpist and lutenist Christina Pluhar, releases its second Virgin Classics album, following Teatro d'amore, a programme of Monteverdi which blended instruments and voices, score and improvisation in a kind of sublime Baroque jam session! Figaro magazine observed that "L'Arpeggiata invests Monteverdi with a dazzling array of vocal and instrumental colours. A touch of improvisation raises the singing to an incandescent level ... A unique distillation of explosive vitality," while the leading German news magazine Spiegel exclaimed: "Roll over, Monteverdi; it is a long time since classical music has held so many surprises or taken such a broad view."
L'Arpeggiata has made a speciality of exploring and exploiting the close links between Baroque repertoire and the traditional music of the Latin world and its characteristic forms such as the tarantella, the folia or the canario. In this new collection, Via Crucis, 'the way of the Cross', the focus is on the pervasive presence of religious feeling in Southern Europe. The Passion of Christ evokes the same fervour in composers such as Giovanni Felice Sances (1600-1679) or Tarquinio Merula (1594-1665) - both active in northern Italy -- as it does in the streets of Naples or the villages of Corsica. The two main works in the collection are Sance's extraordinary Stabat Mater and Merula's Hor ch'e tempo di dormire, in which the Virgin Mary lulls her baby to sleep while weeping for his future suffering and both enthrall the listener with a basso ostinato and hypnotic swaying rhythms.
Reviewing Teatro d'amore, L'Education musicale wrote that: "Ingeniously chosen vocal works are interspersed with important instrumental pieces, taking us on a supreme journey through Monteverdi. The communicative energy and the intense sculptural beauty of pieces like the final duet from L'incoronazione de Poppea or rich sequences of madrigals are transformed by an ensemble that is palpably composed of soloists. Most astonishing of all - and this is a significant discovery - is the modernity that lurks in this music ... A Venetian piece from 1664 makes one wonder whether it's a matter of Monteverdian style or jazz rhythms. ... The addition of two exceptional voices adds further appeal to this fusion of genres : Philippe Jaroussky, whose angelic timbre fills the lines blissfully and Nuria Rial, who brings a velvety tenderness. When they come together the mood reaches sensual heights. This is far more than a compilation ... it is music in its truest manifestation."
Philippe Jaroussky – contre-tenor
Nuria Rial – soprano
Ensemble Barbara Fortuna :
Jean Pierre Marchetti – Terza
André Dominici – Bassu
Jean Philippe Guissani – Bassu, contracantu
Maxime Merlandi – Seconda
Ensemble L‘Arpeggiata – Christina Pluhar :
Christina Pluhar – théorbe, harpe, direction
Eero Palviainen – archiluth, guitare baroque
Marcello Vitale – chitarra battente, guitare baroque
Charles Edouard Fantin – luth, guitare baroque
Margit Übellacker – psalterion
Elisabeth Seitz – psalterion
Marina Albero – dulcimer
Sarah Ridy – harpe baroque
Doron David Sherwin – cornet à bouquin
Mira Glodeanu – violon baroque
Veronika Skuplik – violon baroque
Alessandro Tampieri – violon baroque
Raul Orellana – violon baroque
Rodney Prada – viole de gambe
Paulina Van Laarhoven – lirone, violetta
Vittorio Ghielmi – viole de gambe
Imke David – viole de gambe
Christine Plubeau – viole de gambe
Josextu Obregon – violoncello
Richard Myron – contrebasse, violone
Boris Schmidt – contrebasse
Haru Kitamika – orgue, clavecin
Francesco Turrisi – clavecin
David Mayoral – percussions
Michèle Claude – percussions
avec la particiaption de :
Fulvio Bettini – baritenore
Vincenzo Capezzuto – tenorino napoletano