by Bruce EderBassey's third album is a pleasing if momentarily uneven collection of 13 songs, accompanied by Geoff Love and his orchestra with the Rita Williams Singers. Once one gets past the most questionable track here (the opener, no less), a version of "Love Is a Many Splendored Thing" that Bassey belts out to a too-loud accompaniment, everything is a winner. The best cut here, and one of the highlights of her early recording career, is "The Nearness of You," a dark and moody, totally sensual experience in which her voice gently washes over the listener, like a female analog to Nat King Cole at his most subtle. "Fools Rush In" isn't far behind, though on that particular cut the orchestra may even be a little under-recorded -- the Rita Williams Singers are very tastefully used on that track, however, in a successful, understated manner. They're a little more prominent but still most effective on the beautiful "Who Are We?." "This Love of Mine" and "A Lovely Way to Spend an Evening" are sung by Bassey solo, the former with a hauntingly beautiful held note on the fade-out. She also acquits herself well on the bluesy "Angel Eyes," which breaks up the pacing and mood around all of this charmingly ethereal pop. Producer Norman Newell also bolsters the songwriting department with "Goodbye Lover -- Hello Friend," which Bassey turns into a beautifully dramatic vehicle for her voice -- she might even be a little too dramatic on Rodgers & Hart's "Where or When," but is so overpowering in her intonation that the slight excess can be forgiven. In all, this is a delightful and rewarding release from her early career, and is worth tracking down, particularly in the 1997 reissue as part of EMI's 100th anniversary CD series.