Tenement Symphony

发行时间:1991-10-29
发行公司:Sire
简介:  Almond's newest label jump resulted in what looked like an ideal creation on paper - two songs produced and cowritten by the Grid, the techno duo featuring Marc's Soft Cell collaboratorDave Ball, three more songs worked on with sole surviving Willing Sinner La Magia member, keyboardist/orchestrator Billy McGee, and a mini-song cycle, the Tenement Symphony itself, produced by uber-studio wizard Trevor Horn. But did it work? Much like Enchanted, there's a little too much of Almond getting lost in rote synthdisco for comfort at points. But there are enough pluses to outweigh the minuses -- the opening "Meet Me in My Dream," one of the Gridcollaborations, is a beautiful start, equal to "The Stars We Are," while the Symphony itself, though perhaps taking itself a bit too seriously as a conceit, has three solid singles to its credit -- a completely over-the-top (but what else to expect from Trevor Horn?) version of Jacques Brel's "Jacky," the concluding "My Hand Over My Heart," another sweep of the heartstrings dance ballad, and the surprise U.K. hit single of the bunch, the gentle and (for Horn) understated "The Days of Pearly Spencer," another '60scover given the Almond treatment to good effect.
  Almond's newest label jump resulted in what looked like an ideal creation on paper - two songs produced and cowritten by the Grid, the techno duo featuring Marc's Soft Cell collaboratorDave Ball, three more songs worked on with sole surviving Willing Sinner La Magia member, keyboardist/orchestrator Billy McGee, and a mini-song cycle, the Tenement Symphony itself, produced by uber-studio wizard Trevor Horn. But did it work? Much like Enchanted, there's a little too much of Almond getting lost in rote synthdisco for comfort at points. But there are enough pluses to outweigh the minuses -- the opening "Meet Me in My Dream," one of the Gridcollaborations, is a beautiful start, equal to "The Stars We Are," while the Symphony itself, though perhaps taking itself a bit too seriously as a conceit, has three solid singles to its credit -- a completely over-the-top (but what else to expect from Trevor Horn?) version of Jacques Brel's "Jacky," the concluding "My Hand Over My Heart," another sweep of the heartstrings dance ballad, and the surprise U.K. hit single of the bunch, the gentle and (for Horn) understated "The Days of Pearly Spencer," another '60scover given the Almond treatment to good effect.