by Thom JurekJazz songwriter and pianist Patricia Barber's 2006 album Mythologies, a song cycle based on Ovid's Metamorphosis, is a sprawling work of poetic and musical adventure. Upon its release, it garnered universal acclaim from critics and responsive concert audiences across the United States and Europe. After this rigorous undertaking, Barber could have been forgiven for taking a breather. And on its surface, that seems to be what the Cole Porter Mix is. But in Barber's case, this is far from true. While she claims in her bio that she's been singing his songs for years, and that he's her favorite songwriter, she does anything but a "standard" read on his tunes, though she never undermines their integrity. The album is called a "mix" because Barber has woven three of her own tunes -- written after the manner of Porter's -- into the fabric of the album. Given her austere yet highly original readings of his songs, they fit in seamlessly. She is accompanied here by her longtime backing group of Neal Alger (guitar), Michael Arnopol (bass), and Eric Montzka (drums), with drummer Nate Smith alternating on three tunes, and guest saxophonist Chris Potter appearing on five. ...