A definite departure from the type of earthy, groove-oriented soul-jazz he usually embraced, Leaving This Planet is perhaps Charles Earland's most ambitous album -- not necessarily his best, but certainly his most surprising. Responding to the fusion revolution, Earland plays keyboards and various synthesizers in addition to his usual Hammond B-3 organ and thrives in a very electric setting. The album (reissued on a 79-minute CD in 1993) isn't fusion in the same sense asMiles Davis,Larry CoryellorWeather Report-- rather, he incorporates funk and rock elements in amanner not unlike the early-'70s experiments of tenor saxophonistJoe Hendersonand trumpeterFreddie Hubbard. And in fact, those greats (as well as trumpeterEddie Henderson) are among the superb soloists featured. Whether the Philadelphian is embracingHub's"Red Clay" orHenderson's"Recorda-Me" or fine compositions of his own (which range from the congenial,pleasant "Brown Eyes" to the abstract "Warp Factor 8"), he leaves no doubt just how muchhe's enjoying this surprising change of pace.