Live And Let Live

发行时间:2008-05-13
发行公司:环球唱片
简介:  by Dave Thompson   The time for a 10cc live album would have been as they toured The Original Soundtrack with one of the most adventurous -- not to mention musically extravagant -- shows of the age. Instead, they waited two more years, until the newly reduced Eric Stewart/Graham Gouldman-led lineup headed out to promote the first LP since the split, Deceptive Bends, buoyed by the fact that the hits just kept on coming. It is a fun listen on its own terms, a double-vinyl package that wraps a hard-hitting rock show around a good selection of hits. But it is also an unsatisfying venture, as it duplicates all but one track from Deceptive Bends, then avoids any reference to the Godley/Creme era by confining the hits to Stewart and Gouldman compositions alone. That this includes one song previously valued no higher than a B-side ("Waterfall") is an advantage of this approach; unfortunately, you also realize just how straightforward and rocky the duo's writing could be, and Live and Let Live emerges less a document of a great live performance than a desperate résumé, the surviving bandmembers so intent upon proving their own worth that they forgot what made the band so special in the first place.
  by Dave Thompson   The time for a 10cc live album would have been as they toured The Original Soundtrack with one of the most adventurous -- not to mention musically extravagant -- shows of the age. Instead, they waited two more years, until the newly reduced Eric Stewart/Graham Gouldman-led lineup headed out to promote the first LP since the split, Deceptive Bends, buoyed by the fact that the hits just kept on coming. It is a fun listen on its own terms, a double-vinyl package that wraps a hard-hitting rock show around a good selection of hits. But it is also an unsatisfying venture, as it duplicates all but one track from Deceptive Bends, then avoids any reference to the Godley/Creme era by confining the hits to Stewart and Gouldman compositions alone. That this includes one song previously valued no higher than a B-side ("Waterfall") is an advantage of this approach; unfortunately, you also realize just how straightforward and rocky the duo's writing could be, and Live and Let Live emerges less a document of a great live performance than a desperate résumé, the surviving bandmembers so intent upon proving their own worth that they forgot what made the band so special in the first place.