If CMX's previous album Rautakantele was a slight disappointment, Discopolis won't let down. One problem of Rautakantele was that it's too indie for mainstream, but attitude of Discopolis reflects both underground and mainstream culture. While Discopolis is builded with standards of this day -- samples and computers -- the basis of it is pure CMX. Now samples might sound horrible in the beginning, but friends of the modern music will found Discopolis very attractive. Guitar wall of Discopolis is frightening large, and drums are quite "heavy", even while they are mostly enhanched with samples and drum machines. The result sounds as it should sound -- CMX with machines. Despite highly used computers, Discopolis contains a few traditional rock-songs, like "Nimetön" and "Suljettu Astia." Those songs are the highlights at the same time. After all, the most experimental material like "Aamutähti" and "Paha" don't impress as "Discoinferno" and "Antroposentrifugi" do. Still, Discopolis is a good album, whatever the veteran fans or friends of pop music say. Who knew that even CMX could jump to experimental rock, and even with a positive result.