Restoration Ruin is a real oddity in the Jarrett catalog: a vocal album on which he plays all the instruments. And not a jazz vocal album, either, but a folk-rock one in which he alternates -- quite literally, track to track -- between sub-Dylan outings and more folk-Baroque ones that echo the late-'60s work of artists like Love and Tim Buckley. There's a certain amateurish appeal to the LP, in keeping with other crossover acid folk artists of the period. Yet the fact is that Jarrett is a major jazz musician, but a journeyman-at-best folk-rock singer (with a hoarse, wavering croon-whine), instrumentalist, and songwriter, with a bent for flaky wordplay that gives this a bit of a fried-psychedelic tinge. At times, to be harsh, it's less than journeyman, particularly on the Dylan-esque cuts, which have almost embarrassing wheezing son-of-Dylan harmonica and some downright embarrassing out-of-sync drums. Better are the daintier, more melodic tracks with trimmings of flute, strings, and flamenco-like guitar, like the title song, "For You and Me," and "Sioux City Sue New," with their bossa nova feel. The record was reissued on a single-disc CD in 1999 that made it seem yet weirder by pairing it, incongruously, with a respected, all-out early-'70s avant-garde jazz album by the Art Ensemble of Chicago,Bap-Tizum(recorded live in 1972 at the Ann Arbor Blues and Jazz Festival).