Composer and pianist Carla Bley has been very consistent, if not exactly prolific, for most of her 40 years in jazz. When she and bassist/life partner 　　Steve Swallowhired British saxophonistAndy Sheppard-- then one of his country's young lions as both a composer and as a reedman -- in 1989, they hired him on and he's been with the group ever since. The recorded evidence was heard onSheppard's first appearance with Bley on the utterly beguilingFleur Carnivore, and later on the fine trio recordingSongs with Legsin 1995. DrummerBilly Drummondjoined the unit as a permanent member in the early part of this century, and on 2004'sLost Chordsdebut, locked in with a unit that seemed to be evenly weighted all around. This quartet has been responsible for some astonishing gigs, and conceivably, Bley could record this group over and over. But she's a restless composer, whether writing for big band or smaller units. The silly but delightful story in the liner notes tells us that she'd been hearing the sound of a trumpet when writing, and found the perfect foil in the sounds coming fromSheppard's headphones. Closer to the truth is it wasSheppardwho encouraged Bley to enlistPaolo Fresufor this recording. Simply put, after the greatEnrico Ravathere is no finer Italian trumpeter thanFresu, an intensely lyrical, warm-toned player who is capable of speedy bebop runs, to be sure (check his early sides for proof), but who favors a more lyrical approach to the music as many Italian jazzers do. ...