First Meeting

发行时间:1980-01-01
发行公司:ECM Records
简介:  This 1980 quartet session, unavailable in the U.S., features a young Kenny Kirkland on piano along with John Surman on soprano sax and bass clarinet and Jon Christensen on drums. Vitous wrote all but the title track, a tension-filled group improvisation. The dramatic "Silver Lake" begins the disc with rubato filigree and evolves into a driving yet impressionistic feel. "Beautiful Place To" follows, with its odd, Zen-like repeated melody, leading into "Trees," another rubato exploration with a short, precise melodic theme at its core. "Recycle," the album's high point, is prefaced by a beautiful piano and bass clarinet duo passage that sets the stage for hard-swinging improvisation. Vitous is unaccompanied on "Concerto in Three Parts," giving his warm, ardent arco style an extended feature (he bows throughout much of the disc as well). The lilting "You Make Me So Happy" serves as the finale. Recommended but hard to find, First Meeting documents the strength of Vitous' writing and playing and also yields a satisfying encounter with the late Kirkland, early in his career.
  This 1980 quartet session, unavailable in the U.S., features a young Kenny Kirkland on piano along with John Surman on soprano sax and bass clarinet and Jon Christensen on drums. Vitous wrote all but the title track, a tension-filled group improvisation. The dramatic "Silver Lake" begins the disc with rubato filigree and evolves into a driving yet impressionistic feel. "Beautiful Place To" follows, with its odd, Zen-like repeated melody, leading into "Trees," another rubato exploration with a short, precise melodic theme at its core. "Recycle," the album's high point, is prefaced by a beautiful piano and bass clarinet duo passage that sets the stage for hard-swinging improvisation. Vitous is unaccompanied on "Concerto in Three Parts," giving his warm, ardent arco style an extended feature (he bows throughout much of the disc as well). The lilting "You Make Me So Happy" serves as the finale. Recommended but hard to find, First Meeting documents the strength of Vitous' writing and playing and also yields a satisfying encounter with the late Kirkland, early in his career.