Takemitsu, who died in 1996, wrote everything from movie music to Beatles arrangements to avant-garde chamber music. In his best works, he draws simultaneously on the traditional idiom of Japan and the most advanced contemporary techniques. All this music was written (or, in one case, arranged) for flute solo, and Patrick Gallois proves a most satisfying interpreter, getting into the composer's skin and playing with a most convincing sense of inner quiet. One misconceived idea mars the disc, though. Takemitsu had good reasons for producing three versions of Toward the Sea, a lovely and imaginative piece. But even when separated by other pieces, they don't make for satisfying listening on one program. (Given the choice, I would have picked the orchestral version for its added color.) Still, with such fine performances and sound, there's enough music on the disc to make it worth picking up if the idiom appeals to you.