by Stephen Thomas Erlewine 　　Moving to a major label doesn't affect Hüsker Dü's sound greatly -- although the production is more full-bodied than Spot's razor-thin work, the Hüskers don't change their blazing attack at all. Much of Candy Apple Grey charges along on the same frenzied beat that propelled New Day Rising and Flip Your Wig, and both Bob Mould and Grant Hart are in fine form, spinning out fine punk-pop with "Sorry Somehow" and "Don't Want to Know If You Are Lonely." However, the sound is beginning to seem a bit tired, which is what makes Mould's two acoustic numbers, "Too Far Down" and "Hardly Getting Over It," so welcome. Demonstrating that punks can mature without losing their edge, Mould inverts the rules of conventional confessional singer/songwriter songs with these two haunting numbers, and in doing so, he illustrates the faults with the relatively staid post-hardcore punk that dominates the remainder of the record.