Paris Session

发行时间:2010-01-06
发行公司:Kdigital Media
简介:  Earl Hines, a mainstay of 20th century jazz piano, is here presented in a rare solo recording from 1965, sounding not at all dated nearly half a century later. This session gathers seven evergreens together plus three Hines originals, including his by-now-standard "Second Balcony Jump." A bonus is a Hines vocal on "I Can't give You Anything But Love," delivered in an intimate, cozy, and casual style not unlike another singer-pianist known to cite Hines as a source of stylistic inspiration, Nat 'King' Cole.   "I don't think I think when I play," Hines says, "I have a photographic memory for chords, and when I'm playing, the right chords appear in my mind like photographs long before I get to them... I always challenge myself. I get out in deep water and I always try to get back. But I sometimes get hung up. The audience never knows, but that's when I smile the most, when I show the most ivory... If I'm working a pretty melody, I'll just slip in to a waltz time or cut the tempo in half. My mind is going a mile a minute, and it goes even better when I have a good piano and the audience doesn't distract me. I'm like a race horse."
  Earl Hines, a mainstay of 20th century jazz piano, is here presented in a rare solo recording from 1965, sounding not at all dated nearly half a century later. This session gathers seven evergreens together plus three Hines originals, including his by-now-standard "Second Balcony Jump." A bonus is a Hines vocal on "I Can't give You Anything But Love," delivered in an intimate, cozy, and casual style not unlike another singer-pianist known to cite Hines as a source of stylistic inspiration, Nat 'King' Cole.   "I don't think I think when I play," Hines says, "I have a photographic memory for chords, and when I'm playing, the right chords appear in my mind like photographs long before I get to them... I always challenge myself. I get out in deep water and I always try to get back. But I sometimes get hung up. The audience never knows, but that's when I smile the most, when I show the most ivory... If I'm working a pretty melody, I'll just slip in to a waltz time or cut the tempo in half. My mind is going a mile a minute, and it goes even better when I have a good piano and the audience doesn't distract me. I'm like a race horse."