AMP Magazine Oct./Nov. 2008 Issue #36 by Jake Round 　　Silence brings progressive rock in vein of Morrissey and The Cure but with a modern twist. It’s solid pop song writing but with a very mature and genuine feel. Definitely some hints of jazz and blues and the dance-y drum beats give the record a very fusion feel. Definitely not something we’re hearing a whole lot of in today’s world of Myspace bands and hair-cut punk rock. The instrumentation is very solid and includes very tasteful usage of effects and synth. If you loved the sound of the 80’s and appreciate something outside of the box, definitely give this EP a spin. 　　 　　Outburn Magazine Spring 2008 Issue #43 by Robert VerBruggen 　　Rated an “8” 　　Many 80’s throwback records take on an ironic tinge, but thankfully on it’s self-titled EP, Silence is dead serious about its new wave grooves. This is some of the best early alternative songwriting since…well, early alternative. Dour vocals float atop layers of heavy reverb, the lyrics blending happiness and misery as only those influenced by The Cure can. A slim six tracks makes the cut, but the band has practiced exquisite quality control, trimming out any sign of weakness and every unnecessary measure. The haunting “Can It Be You?” in particular stands out, with a siren-like backing singer complementing the vampiric lead vocalist and some screaming lead guitar. “Reality” evokes Leonard Cohen’s “Waiting for the Miracle.” Even the production proves nothing short of genuine. The guitars slice through the mix, with an emphasized high that leaves plenty of room for a bright bass and huge drums. There’s but one minor gripe. On “Silence” (yes, that’s the name of the band, the album, and the song), the mixing engineer did a poor job of removing the sibilance from the vocals. The “S” sound at the beginning and the end grate, especially on headphones. Other than that, a masterpiece, albeit a brief one.