这张Electric Tears是Buckethead于2002年发表的一张吉他专辑，其中加入了不少新鲜元素，让我们在欣赏大师吉他技艺的同时也看到了他勇于创新的决心！ 　　Buckethead is one of the most bizarre and enigmatic figures in American underground and experimental music since Parliament-Funkadelic birthed their bevy of cosmic characters in the mid-'70s. An accomplished multi-instrumentalist best known for his virtuosic command of the electric guitar, Buckethead is one of the instrument's most recognizable contemporary innovators, his rapid-fire riffing, near-robotic fretwork, and idiosyncratic lead lines combining elements of Yngwie Malmsteen, Adrian Belew, Slayer's Kerry King, P-Funk's Eddie Hazel, and avant-improv artist John Zorn's Scud-attack sax abuse. His first group, the San Francisco-based metal-funk combine the Deli Creeps, were a regional success, but disbanded before they could release anything. Buckethead's solo career has been more productive, thanks mostly to the motivation of Zorn and Bill Laswell, the latter of whom Buckethead has also recorded and toured with in Praxis. Laswell has also produced a number of Buckethead's solo albums (including Dreamatorium and Day of the Robot) and included him on more than a dozen one-off recordings with the likes of Hakim Bey, Bootsy Collins, Anton Fier, Jonas Hellborg, and Bernie Worrell. In addition to releases including 1998's Colma, Buckethead has also contributed soundtrack material to such films as Last Action Hero and Street Fighter. Buckethead returned in 1999 with Monsters and Robots, after which he joined the short-lived reformation of Guns N'Roses. A steady stream of releases followed into the 21st century ranging from the contemplative Electric Tears to more electronica/rock hybrid, and collaborations with San Francisco's underground hip-hop scene.