by Richie Unterberger 　　Bedsitter Images unveiled a promising but tentative folk-rock singer/songwriter. Al Stewart's songs already displayed his talent for observational storytelling, though at this point he was detailing ordinary lives of British people and autobiographical romance, rather than epic historical incidents. Most of the cuts used a full orchestra, and although the folk-baroque approach worked for some folk-rock artists of the era like Judy Collins, here it seemed ill-conceived. The orchestration was twee, which made the already precious songs seem yet twee-er; Stewart has subsequently expressed regret over the decision to use such production. His work would have sounded better with straightforward folk-rock arrangements, or even as solo acoustic tunes. Despite its faults, it's fairly engaging, highlighted by the lengthy "Beleeka Doodle Day." Not only does that track eliminate the orchestration, it's also the best song on the album, with a characteristically haunting melody and more forceful, melancholy lyrics than those heard on most of the rest of the tracks.