Blues and Haikus（布鲁斯与绯句）中，在Steve Allen以及两位西海岸萨克斯好手Al Cohn和Zoot Sims的伴奏下，朗诵On the Road和Visions of Cody；再比如，专辑收录了一次在某个大学的剧场中举行的名叫“Is There a Beat Generation？”的诗会中的录音（就像《在路上》描述的一样）。 　　 　　by Bruce Eder 　　In the spring of 1958, just a few weeks after cutting Poetry for the Beat Generation, producer Bob Thiele suggested making a second album -- quite a daring notion, considering that the first album would prove so controversial that it wouldn't reach the public for a year -- and Jack Kerouac agreed. Instead of pianist Steve Allen, however, Kerouac insisted that he be accompanied this time by two good friends, tenor saxmen Al Cohn and Zoot Sims. With Cohn doubling on piano, the resulting Blues and Haikus is a stunning duet between speaker and saxmen, working spontaneously in this peculiar mix of jazz and voice, in which the saxmen do get their solo spots around Kerouac's work. There's much more of a sense on this album of a conscious interaction here between Kerouac and his accompanists, and the album is more arch but also more intense and more imposing than its predecessor. [Reissued as part of Rhino's Jack Kerouac Collection with 16 minutes of outtakes.]