Five Feet Of Soul
发行时间:2003-06-01
发行公司:华纳唱片
简介: by John BushJust about to turn 60, Jimmy Rushing recorded his only LP for Colpix in early 1963 with a large group packed with Basie alumni (Freddie Green, Gus Johnson, Joe Newman, Snooky Young, Budd Johnson, Milt Hinton) as well as alto heroes Phil & Quill (aka Phil Woods and Gene Quill) and a pair of tenor mainstays, Zoot Sims and Al Cohn (Cohn actually arranged the date). Despite a host of solo voices (and egos) inherent to the session, Rushing managed the date with his usual good feeling. The songs, most of them ones he had never recorded before, are nevertheless great candidates for the Five-by-Five treatment; "Just Because" and "Heartaches" are especially good, Rushing giving the first a quick, inertia-filled performance, the latter a more graceful blues reading. He also airs a few of his own songs ("Please Come Back" and "Did You Ever"), slides his way through the Bessie Smith/Billie Holiday standard "'Tain't Nobody's Bizness If I Do," and reclaims Clarence Williams' blues standard "My Bucket's Got a Hole in It" from the country audience that had latched onto it. Rushing does betray a sign of his age -- his power in holding lines is obviously diminished from his mid-'50s records with Columbia -- but his joyous sense of swing comes through clearly.
by John BushJust about to turn 60, Jimmy Rushing recorded his only LP for Colpix in early 1963 with a large group packed with Basie alumni (Freddie Green, Gus Johnson, Joe Newman, Snooky Young, Budd Johnson, Milt Hinton) as well as alto heroes Phil & Quill (aka Phil Woods and Gene Quill) and a pair of tenor mainstays, Zoot Sims and Al Cohn (Cohn actually arranged the date). Despite a host of solo voices (and egos) inherent to the session, Rushing managed the date with his usual good feeling. The songs, most of them ones he had never recorded before, are nevertheless great candidates for the Five-by-Five treatment; "Just Because" and "Heartaches" are especially good, Rushing giving the first a quick, inertia-filled performance, the latter a more graceful blues reading. He also airs a few of his own songs ("Please Come Back" and "Did You Ever"), slides his way through the Bessie Smith/Billie Holiday standard "'Tain't Nobody's Bizness If I Do," and reclaims Clarence Williams' blues standard "My Bucket's Got a Hole in It" from the country audience that had latched onto it. Rushing does betray a sign of his age -- his power in holding lines is obviously diminished from his mid-'50s records with Columbia -- but his joyous sense of swing comes through clearly.