Glee: The Music, The Christmas Album

发行时间:2010-11-09
发行公司:Columbia
简介:  欢乐合唱团庆圣诞   Glee: The Music, The Christmas Album is the fourth soundtrack album by the cast of the American musical television series Glee. The album was released on November 9, 2010 and accompanies the season two Christmas episode "A Very Glee Christmas", aired December 7, 2010. Dante Di Loreto and Brad Falchuk serve as the album's executive producers. Critical reception has been mixed, with the majority of professional reviews praising the cover version of "Baby, It's Cold Outside" performed by Chris Colfer and guest star Darren Criss, as well as the vocals of Lea Michele and Amber Riley, but questioning the arrangements of some other tracks. The album debuted at the top position of the Billboard Soundtracks chart, as well as peaking at number three on the Billboard 200.       Glee: The Music, The Christmas Album was met with mixed criticism upon its release. Writers for The Detroit News praised the "underappreciated" opening track "We Need a Little Christmas" and gave a B rating for what they opined as Glee's best album hitherto. Andrew Leahey of allmusic gave the album three out of five stars, unsurprised by the songs being "performed in Glee's familiar Broadway-pop style". He enjoyed "Baby, It's Cold Outside" and its unorthodoxy of being duetted between two males—Chris Colfer and guest star Darren Criss—as "a refreshingly risqué move for Fox TV". Tanner Stransky of Entertainment Weekly noted it as a standout track on the album, as did About.com's Bill Lamb, calling it "charm-filled", and E! Online's Jennifer Arrow, using the word "marvelous". Stransky gave The Christmas Album a B+ rating, calling it "plenty joyful, in that silly, Kidz Bop-for-adults way." He also called Amber Riley's rendition of "Angels We Have Heard on High" "soaring" while Arrow deemed it "amazing". Lea Michele's vocals on "O Holy Night" were complimented by both Arrow and Leahey; the latter compared them to those of Kristin Chenoweth. Bruce Ward writing for the Ottawa Citizen, however, didn't like the track, and thought the song was uncomfortably slow.       Lamb gave the album a four-star rating, calling it "an enduring collection" of "solid holiday music", and was delighted by the animated "Deck the Rooftop", a blend of "Deck the Halls" and "Up on the House Top". Ward agreed, but Leahey questioned the arrangement of this "urban mash-up", likening it to a song that would be performed by a Disney actress. Vanity Fair's Brett Berk decided the record was "not able to be categorized as good or bad", leaving it open for the listener to decide on the "twelve candy cane-sweetened tracks". Writing for the New York Post, Jarett Wieselman thought the album overall sounded like the soundtrack of an advertisement for Gap, but praised the vocal work of Colfer, Michele, and Riley. Jonathan Takiff of the Philadelphia Daily News felt the tracks were too artificial and was disappointed the cast didn't cover more songs outside the realm of pop music. Kyle Buchanan of New York lamented the fact that Jane Lynch was not the one singing "You're a Mean One, Mr. Grinch", calling it a "missed opportunity", while Wieselman was confused at Lang's appearance on the track, wondering if previous guest star Olivia Newton-John would have been a better choice.       he album debuted at number eight on the Billboard 200 the week of November 24, 2010, with 161,198 copies sold, and the cover of "O Holy Night" debuted that week at number one on the Holiday Digital Songs chart. Also that week, the album saw a debut at number three on the Canadian Albums Chart, selling 16,000 copies. The following week, the album dropped two spots in the US, with sales of 108,000, but held the same spot in Canada with 18,000 copies. On December 15, 2010, the album climbed to number one in Canada, with sales totalling 81,000; it also reached its highest point on the US charts at number three, selling 193,000 copies that week. The album was certified platinum with over one million in sales, Glee's second-best selling album behind their debut. It has sold 1,080,000 copies in the US as August 2013.       Glee: The Music, The Christmas Album peaked in both Australia and Ireland at number thirteen, in New Zealand at number thirty-two, and in the Netherlands at number fifty. Glee: The Music, The Christmas Album debuted on the UK Albums Chart at number thirty-seven the week of December 11, 2010.       The song from the album "We Need a Little Christmas" debuted on Billboard's Adult Contemporary chart the week of December 6, 2010 at number twenty. "Deck the Rooftop" debuted on the same chart a week later, at number twenty-nine, as did "The Most Wonderful Day of the Year" the week after that, at number twenty-eight.       (wiki)       ------------------------------------------------------------------       by Andrew Leahey       The Christmas Album is Glee’s fifth release in 2010, and the first of two full-length albums to be issued in November alone. Appearing several weeks after another holiday-themed record -- The Rocky Horror Glee Show -- it features a handful of wintertime tunes, from the standard crop of Christmas carols to more secular fare like Frank Loesser’s “Baby, It’s Cold Outside” and the Carpenters’ “Merry Christmas Darling.” Most of the carols are what you’d expect: slick, sentimental, and performed in Glee’s familiar Broadway-pop style, with solos by the cast members and backup vocals by a group of unseen professionals. Other songs are “jazzed up” to a questionable degree, including an urban mash-up of “Deck the Halls” and “Up on the Rooftop” that sounds like something from a Disney starlet’s catalog. On “O Holy Night,” though, Lea Michele belts out the high notes like the second coming of Kristin Chenoweth, and “Baby, It’s Cold Outside” melts under the warmth of Chris Colfer’s duet with Darren Criss, who plays Kurt’s openly gay love interest. A duet between two male characters -- with lyrics like “Gosh, your lips look delicious,” no less -- is a refreshingly risqué move for Fox TV, not to mention an album highlight. After all, Glee became popular by pushing boundaries and ignoring convention, so it’s reassuring to see the spark still burning.
  欢乐合唱团庆圣诞   Glee: The Music, The Christmas Album is the fourth soundtrack album by the cast of the American musical television series Glee. The album was released on November 9, 2010 and accompanies the season two Christmas episode "A Very Glee Christmas", aired December 7, 2010. Dante Di Loreto and Brad Falchuk serve as the album's executive producers. Critical reception has been mixed, with the majority of professional reviews praising the cover version of "Baby, It's Cold Outside" performed by Chris Colfer and guest star Darren Criss, as well as the vocals of Lea Michele and Amber Riley, but questioning the arrangements of some other tracks. The album debuted at the top position of the Billboard Soundtracks chart, as well as peaking at number three on the Billboard 200.       Glee: The Music, The Christmas Album was met with mixed criticism upon its release. Writers for The Detroit News praised the "underappreciated" opening track "We Need a Little Christmas" and gave a B rating for what they opined as Glee's best album hitherto. Andrew Leahey of allmusic gave the album three out of five stars, unsurprised by the songs being "performed in Glee's familiar Broadway-pop style". He enjoyed "Baby, It's Cold Outside" and its unorthodoxy of being duetted between two males—Chris Colfer and guest star Darren Criss—as "a refreshingly risqué move for Fox TV". Tanner Stransky of Entertainment Weekly noted it as a standout track on the album, as did About.com's Bill Lamb, calling it "charm-filled", and E! Online's Jennifer Arrow, using the word "marvelous". Stransky gave The Christmas Album a B+ rating, calling it "plenty joyful, in that silly, Kidz Bop-for-adults way." He also called Amber Riley's rendition of "Angels We Have Heard on High" "soaring" while Arrow deemed it "amazing". Lea Michele's vocals on "O Holy Night" were complimented by both Arrow and Leahey; the latter compared them to those of Kristin Chenoweth. Bruce Ward writing for the Ottawa Citizen, however, didn't like the track, and thought the song was uncomfortably slow.       Lamb gave the album a four-star rating, calling it "an enduring collection" of "solid holiday music", and was delighted by the animated "Deck the Rooftop", a blend of "Deck the Halls" and "Up on the House Top". Ward agreed, but Leahey questioned the arrangement of this "urban mash-up", likening it to a song that would be performed by a Disney actress. Vanity Fair's Brett Berk decided the record was "not able to be categorized as good or bad", leaving it open for the listener to decide on the "twelve candy cane-sweetened tracks". Writing for the New York Post, Jarett Wieselman thought the album overall sounded like the soundtrack of an advertisement for Gap, but praised the vocal work of Colfer, Michele, and Riley. Jonathan Takiff of the Philadelphia Daily News felt the tracks were too artificial and was disappointed the cast didn't cover more songs outside the realm of pop music. Kyle Buchanan of New York lamented the fact that Jane Lynch was not the one singing "You're a Mean One, Mr. Grinch", calling it a "missed opportunity", while Wieselman was confused at Lang's appearance on the track, wondering if previous guest star Olivia Newton-John would have been a better choice.       he album debuted at number eight on the Billboard 200 the week of November 24, 2010, with 161,198 copies sold, and the cover of "O Holy Night" debuted that week at number one on the Holiday Digital Songs chart. Also that week, the album saw a debut at number three on the Canadian Albums Chart, selling 16,000 copies. The following week, the album dropped two spots in the US, with sales of 108,000, but held the same spot in Canada with 18,000 copies. On December 15, 2010, the album climbed to number one in Canada, with sales totalling 81,000; it also reached its highest point on the US charts at number three, selling 193,000 copies that week. The album was certified platinum with over one million in sales, Glee's second-best selling album behind their debut. It has sold 1,080,000 copies in the US as August 2013.       Glee: The Music, The Christmas Album peaked in both Australia and Ireland at number thirteen, in New Zealand at number thirty-two, and in the Netherlands at number fifty. Glee: The Music, The Christmas Album debuted on the UK Albums Chart at number thirty-seven the week of December 11, 2010.       The song from the album "We Need a Little Christmas" debuted on Billboard's Adult Contemporary chart the week of December 6, 2010 at number twenty. "Deck the Rooftop" debuted on the same chart a week later, at number twenty-nine, as did "The Most Wonderful Day of the Year" the week after that, at number twenty-eight.       (wiki)       ------------------------------------------------------------------       by Andrew Leahey       The Christmas Album is Glee’s fifth release in 2010, and the first of two full-length albums to be issued in November alone. Appearing several weeks after another holiday-themed record -- The Rocky Horror Glee Show -- it features a handful of wintertime tunes, from the standard crop of Christmas carols to more secular fare like Frank Loesser’s “Baby, It’s Cold Outside” and the Carpenters’ “Merry Christmas Darling.” Most of the carols are what you’d expect: slick, sentimental, and performed in Glee’s familiar Broadway-pop style, with solos by the cast members and backup vocals by a group of unseen professionals. Other songs are “jazzed up” to a questionable degree, including an urban mash-up of “Deck the Halls” and “Up on the Rooftop” that sounds like something from a Disney starlet’s catalog. On “O Holy Night,” though, Lea Michele belts out the high notes like the second coming of Kristin Chenoweth, and “Baby, It’s Cold Outside” melts under the warmth of Chris Colfer’s duet with Darren Criss, who plays Kurt’s openly gay love interest. A duet between two male characters -- with lyrics like “Gosh, your lips look delicious,” no less -- is a refreshingly risqué move for Fox TV, not to mention an album highlight. After all, Glee became popular by pushing boundaries and ignoring convention, so it’s reassuring to see the spark still burning.