by Thom OwensFor her third album, Chely Wright switched record labels and teamed up with producer Tony Brown, who helmed the boards for records by George Strait and Reba McEntire, among others. Brown stripped Wright's music down to the core -- for much of Let Me In, she's singing over clean acoustic arrangements; only a few cuts are adorned with pop-rock instrumentation. Wright benefits from the spare arrangements, which only emphasize her lovely voice and charisma. The result is her most accomplished and arguably best album to date.