by Joe ViglioneIt would be difficult not to compare Livingston Taylor's self-titled 1970 debut to his brother's second solo release, Sweet Baby James, as the latter certainly brought attention to the former, but the Jon Landau-produced disc crafted in Macon, GA, is a world unto itself. Ten originals by Taylor along with one cover, the Earl Greene and Carl Montgomery country standard "Six Days on the Road," make for a pleasant listen. "Sit on Back" is a bright enough opening, with "Doctor Man" bringing in a bit of the darkness. "My time's at hand" is the same line James Taylor used in the hit "Fire and Rain" and both brothers spent their time in the psych ward: "People with smiles/They talk of a hand that they got from a man called the doctor man." You would love to hear Lou Reed take this on, and somehow the pretty guitar and arrangement are real paradoxes for what should be a dirge, the lyrics profoundly in need of a few spins to sink in. Because much of this album feels like the producer and the artists were getting their bearings, "Six Days on the Road" becomes one of the more accessible tracks. Versions by Hank Snow, Bloodwyn Pig, the Flying Burrito Brothers, Taj Mahal, and others proliferated, and this is not as ethereal as the artist's cover of "On Broadway" from the Liv album, but in its simplicity the point still gets across. The LP cover photo is pretty out there, with Taylor looking down from a metal structure of some sort, his hair all frazzled, while the back cover has a darkened room which looks like a recording studio. "Packet of Good Times" is very up-tempo, while "Hush a Bye" brings things right back down and, like most of the project, is understated. It's on Liv, the second album, that things really come together. Sure, these songs are well constructed, but they still seem somewhat raw and no doubt influenced the way things would be tackled the second time around. Sister Kate and James are referenced in "Carolina Day," a song with more parallels. "Can't Get Back Home" follows suit -- impressive ditties with "In My Reply" up and "Lost in the Love of You" down again. The obvious yin yang would change on the next album, which should have been a huge breakthrough for this sensitive and special artist. The seeds of future work are here, and Livingston Taylor is a nice start to the singer's interesting career.