Victoria Spivey Vol. 2 1927-1929

发行时间:2000-01-01
发行公司:orchard
简介:  Victoria Spivey, who made her initial reputation with dark and somewhat scary blues lyrics, altered her style during the period covered by this second of four "complete" Document CDs. She is heard in a series of double entendre songs (usually issued in two parts) with singer/guitarist Lonnie Johnson, including "New Black Snake Blues," "Toothache Blues," "Furniture Man Blues," and "You Done Lost Your Good Thing Now." Also, Spivey is heard with an all-star group led by pianist Clarence Williams (including cornetist King Oliver and guitarist Eddie Lang) that unfortunately does not get much space to stretch out; on two classic performances ("Funny Feathers" and "How Do You Do It that Way") on which she is joined by Louis Armstrong's Savoy Ballroom Five (with pianist Gene Anderson in Earl Hines' place); and guesting on two versions apiece of those same two songs with Henry "Red" Allen's Octet (which was really Luis Russell's Orchestra). Spivey, who was a strong singer from the start, is featured throughout in peak form, showing that she could not only sing blues but good-time jazz of the era.
  Victoria Spivey, who made her initial reputation with dark and somewhat scary blues lyrics, altered her style during the period covered by this second of four "complete" Document CDs. She is heard in a series of double entendre songs (usually issued in two parts) with singer/guitarist Lonnie Johnson, including "New Black Snake Blues," "Toothache Blues," "Furniture Man Blues," and "You Done Lost Your Good Thing Now." Also, Spivey is heard with an all-star group led by pianist Clarence Williams (including cornetist King Oliver and guitarist Eddie Lang) that unfortunately does not get much space to stretch out; on two classic performances ("Funny Feathers" and "How Do You Do It that Way") on which she is joined by Louis Armstrong's Savoy Ballroom Five (with pianist Gene Anderson in Earl Hines' place); and guesting on two versions apiece of those same two songs with Henry "Red" Allen's Octet (which was really Luis Russell's Orchestra). Spivey, who was a strong singer from the start, is featured throughout in peak form, showing that she could not only sing blues but good-time jazz of the era.