I've Got That Old Feeling

发行时间:1990-01-01
发行公司:环球唱片
简介:  当代乡村天后、更是有史以来最畅销的Bluegrass艺人,甜美的嗓音加上精湛的小提琴演奏技巧,使艾莉森克劳丝跨越了乡村的领域,在世界各地皆受到欢迎!07年与摇滚之神Robert Plant合录大碟《Raising Sand》,这张经典专辑横跨流行、乡村、民谣三大领域,一举囊获了包括「年度专辑」在内的六项葛莱美奖!使她生涯至今累积26座葛莱美奖,稳坐史上最多葛莱美加冕的女歌手宝座!90年发行的《I've Got That Old Feeling》为艾莉森克劳丝的第二张个人专辑,在《Too Late to Cry》及与联合车站合作的《Two Highways》之後,艾莉森克劳丝当时已是乡村乐界瞩目的超级新秀,果然新辑推出即打入告示排乡村榜,并勇夺葛莱美年度最佳Bluegrass专辑,传奇制作人Tony Brown赞誉她为超越时代的声音,Allmusic给予四星半近满分的佳评!      by Johnny Loftus   When I've Got That Old Feeling garnered Alison Krauss 1990's Best Bluegrass Recording Grammy, it was an acknowledgement of the talent and poise the former child prodigy had shown through her first three albums. The album's tantalizing blend of tasteful folk and traditional bluegrass certainly deserved the award. But Old Feeling was more important as a footbridge to where Krauss would take her music -- and bluegrass itself -- over the next decade. It blended country and bluegrass with pop elements (the latter being most evident on "Longest Highway") in such an effortless way, the album couldn't possibly be seen as a play for the mainstream. The sentiment behind the gentle sway of "It's Over" and "Wish I Still Had You" was universal; blended into the honeyed voice of Krauss, it was irresistible. At the same time, the playing on "Will You Be Leaving" and "Dark Skies" was not only technically skilled, but startlingly genuine. (Sam Bush's mandolin and the dobro leads of producer Jerry Douglas were particularly impressive.) The record was imbued with the same old feeling that Krauss and her Union Station guitarist Dan Tyminski would later draw upon for O Brother, Where Art Thou? -- it was a bluegrass album at heart, but it came from a place where emotion and honesty weren't labeled with a genre tag.
  当代乡村天后、更是有史以来最畅销的Bluegrass艺人,甜美的嗓音加上精湛的小提琴演奏技巧,使艾莉森克劳丝跨越了乡村的领域,在世界各地皆受到欢迎!07年与摇滚之神Robert Plant合录大碟《Raising Sand》,这张经典专辑横跨流行、乡村、民谣三大领域,一举囊获了包括「年度专辑」在内的六项葛莱美奖!使她生涯至今累积26座葛莱美奖,稳坐史上最多葛莱美加冕的女歌手宝座!90年发行的《I've Got That Old Feeling》为艾莉森克劳丝的第二张个人专辑,在《Too Late to Cry》及与联合车站合作的《Two Highways》之後,艾莉森克劳丝当时已是乡村乐界瞩目的超级新秀,果然新辑推出即打入告示排乡村榜,并勇夺葛莱美年度最佳Bluegrass专辑,传奇制作人Tony Brown赞誉她为超越时代的声音,Allmusic给予四星半近满分的佳评!      by Johnny Loftus   When I've Got That Old Feeling garnered Alison Krauss 1990's Best Bluegrass Recording Grammy, it was an acknowledgement of the talent and poise the former child prodigy had shown through her first three albums. The album's tantalizing blend of tasteful folk and traditional bluegrass certainly deserved the award. But Old Feeling was more important as a footbridge to where Krauss would take her music -- and bluegrass itself -- over the next decade. It blended country and bluegrass with pop elements (the latter being most evident on "Longest Highway") in such an effortless way, the album couldn't possibly be seen as a play for the mainstream. The sentiment behind the gentle sway of "It's Over" and "Wish I Still Had You" was universal; blended into the honeyed voice of Krauss, it was irresistible. At the same time, the playing on "Will You Be Leaving" and "Dark Skies" was not only technically skilled, but startlingly genuine. (Sam Bush's mandolin and the dobro leads of producer Jerry Douglas were particularly impressive.) The record was imbued with the same old feeling that Krauss and her Union Station guitarist Dan Tyminski would later draw upon for O Brother, Where Art Thou? -- it was a bluegrass album at heart, but it came from a place where emotion and honesty weren't labeled with a genre tag.
 
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