Did anyone else notice that the Brazilian albums of the 60s and 70s have a signature sound? This has to do with the studios, of course. No, I'm not talking about the musical content. I mean the sound you hear on those disks. 　　Upon hearing this album I was fascinated with the arrangements, sometimes crazy, very orchestral, arriving to remember those raids Beatles phase 1966/1967. Just listen to the beauty of "Broken Mirrors", with that orchestra and those violins. Somewhat reminiscent of "Eleanor Rigby". Beautiful! 　　Deeply Brazilian, but not traditional, only those features that you typically associate. In percussions, especially. But also in the body, which, for me, the whole effect, makes me look that could only have their born notes of the head of a musician in Brazil. In blows, of course, and a little for all the tunes on this disc, this lost pearl. Very danceable, nice, funny even. As in the advertising spot that starts with "Sylvia: 20 Hours, Sunday," or laboratory experience, enigmatic, which is "Nineteen and Beyond". 　　I think it's the second time I hear someone calling in a Brazilian record and putting this act in music. . What meets my idea of ​​these people are very sociable with a strong human component. 　　I wonder how would the buildings in the 60s, and I come to mind those images in sepia tone and houses with a view to various parts of the city. And football, maybe ever present in the small little radio stack resting on the wall of the stairs at the entrance of the houses. 　　I do not know, when a disc puts us to imagine things I guess that means we like it. 　　Just one last note: that spectacular electric bass, for example in "Anarchy" song. Or that Baroque piano "Hope Singing". 　　A disc to pair with each other, first, of the time and then the origin.