The Aviary

发行时间:2017-09-15
发行公司:华纳唱片
简介:  炙手可热的瑞典电音DJ Galantis近年来凭借一首首热门单曲奠定起在EDM界的声望与地位,自从那首“Runaway(U&I)”横扫全球之后,几乎每首单曲都能掀起声浪,15年他们发行了首张创作专辑《Pharmacy》大获成功,16年单曲《No Money》空降Billboard Hot 100,紧接着《Love On Me》在各种榜单上成绩闪亮……直到最近的《Girls on Boys ft. Rozes》一直牢牢抓取歌迷注意力。除了前沿的制作,令人情绪振奋饶有趣味的音乐主题,他们极具冲击力而风格统一的封面视觉形象也是歌迷们热议的话题,中国歌迷亲切地称呼他们为“大猫”。         其实隐藏在大猫形象背后是两位帅哥Christian Karlsson 和 Linus Eklöw,Karlsson还是另外两个音乐组合的成员,他是“Bloodshy & Avant”中的Bloodyshy,同时还是大热组合“Miike Snow”成,Eklöw 则还是组合“Style of Eye”中的才华颜值担当。         On their 2015 debut, Pharmacy, Swedish duo Christian Karlsson and Linus Eklöw molded effervescent house music around the sort of sharp vocal hooks that have served Karlsson well as a songwriter/producer for Madonna, Britney Spears, and Katy Perry. The Aviary delivers more snagging melodies and exquisitely measured passages of tension and release, particularly on “Pillow Fight” and “Love on Me.” However, the duo really excel when they’re mashing up styles and structure, guiding “Hunter” from twitchy, tropical pop to churning hip-hop, and cutting slinky disco grooves through the sorrowful house of “Call Me Home.”
  炙手可热的瑞典电音DJ Galantis近年来凭借一首首热门单曲奠定起在EDM界的声望与地位,自从那首“Runaway(U&I)”横扫全球之后,几乎每首单曲都能掀起声浪,15年他们发行了首张创作专辑《Pharmacy》大获成功,16年单曲《No Money》空降Billboard Hot 100,紧接着《Love On Me》在各种榜单上成绩闪亮……直到最近的《Girls on Boys ft. Rozes》一直牢牢抓取歌迷注意力。除了前沿的制作,令人情绪振奋饶有趣味的音乐主题,他们极具冲击力而风格统一的封面视觉形象也是歌迷们热议的话题,中国歌迷亲切地称呼他们为“大猫”。         其实隐藏在大猫形象背后是两位帅哥Christian Karlsson 和 Linus Eklöw,Karlsson还是另外两个音乐组合的成员,他是“Bloodshy & Avant”中的Bloodyshy,同时还是大热组合“Miike Snow”成,Eklöw 则还是组合“Style of Eye”中的才华颜值担当。         On their 2015 debut, Pharmacy, Swedish duo Christian Karlsson and Linus Eklöw molded effervescent house music around the sort of sharp vocal hooks that have served Karlsson well as a songwriter/producer for Madonna, Britney Spears, and Katy Perry. The Aviary delivers more snagging melodies and exquisitely measured passages of tension and release, particularly on “Pillow Fight” and “Love on Me.” However, the duo really excel when they’re mashing up styles and structure, guiding “Hunter” from twitchy, tropical pop to churning hip-hop, and cutting slinky disco grooves through the sorrowful house of “Call Me Home.”