The Best Of Santana

发行时间:1998-03-31
发行公司:索尼音乐
简介:  Santana上世纪70年代——80年代20年超级精选,CD16首歌曲精选自Santana1969年至1987年10张专辑,并由Santana本人亲自参与制作。      There are a couple of Santana best-of compilations out there, and even a few mastersound gold-plated CDs, but this collection is as good a place as any for a newcomer to explore. It contains the band's three essential charters--"Black Magic Woman," "Evil Ways," and "Oye Como Va"--along with some lesser hits. Santana broke barriers, making ethnic-influenced music palatable to the mainstream, but this set doesn't sound like a history lesson. Few bands have ever made better music for driving on a hot summer day, and this CD is ideal for blasting out the windows of your car on a crowded thoroughfare. --Charles R. Cross      All "greatest hits" and "best of" collections are inherently flawed. Almost universally, such collections leave out a favorite song or include songs that make some fans wonder how "best" or "great" was decided. Lastly, these collections are snapshots in time and will thus neglect later songs. Considering these issues, this collection is an excellent representation of Carlos Santana's career until 1998.      This collection does have two flaws. First, it includes only eight of Santana's 20+ albums. Second, this collection only includes songs that represent Santana's most commercial songs. I suppose the commercialism of this collection is to be expected, given that record companies are most interested in a collection that will sell the most. Thus, there is minimal representation of the jazz fusion music that Santana has performed on so many of his CDs.      Getting past the flaws, the 1969 album "Santana" provides the fast-paced and somewhat psychedelic song "Jingo." This song has a very fast beat with a lot of percussion. "Evil Ways" was also from this album and was a top 10 hit for Santana. The third track from this album is "Soul Sacrifice," a hard driving instrumental that seems to me to be the predecessor to some of Santana's later jazz fusion music. This album hit #4 on the Billboard charts and remained on the Billboard Hot 100 chart for 108 weeks.      Santana's next album, "Abraxas," provides three songs, the phenomenal "Black Magic Woman/Gypsy Queen," which reached #4 on the charts, "Oye Como Va," which reached #13 on the charts, and "Samba Pa Ti," a wonderful instrumental. "Abraxas" has been on several lists of the greatest albums of all time, listed at #85 on VH1's list and #205 on "Rolling Stone's" list. The album reached #1 and remained on the charts for 88 weeks.      The third album from Santana was "3," which also reached #1 on the charts and provides two songs for this collection. "No One to Depend On" reached #36 in the charts and "Everybody's Everything," which reached #12. This album was Santana's last #1 album until 1999's "Supernatural."      Santana's music then turned to jazz fusion. The album "Amigos" reached #10 in the charts and provides the longest song in this collection, the eight plus minute "Dance Sister Dance," and the instrumental "Europa." Both these tracks are complex and just a taste of Santana's other, less commercial music.      The song "She's Not There" is one of my favorite Santana songs, which peaked at #27 and is from the #10 album "Moonflower." This song is timeless, but has its roots in the music of the late 60s and early 70s. You can hear a jazz influence in this song even though the song is rock.      The song "Open Invitation" from 1978's "Inner Secrets" is a harder song with lots of guitars. The album reached #27 and was less successful than many of Santana's other albums. This song is a winner and is another of my favorite Santana songs. Yet another fast moving song is "All I Ever Wanted," from the #10 charting album "Marathon." The album was released during the disco era and managed to do well, bucking the disco trend. The song is an excellent song and great for party music.      The song "Winning" is one of the few songs in this collection that veer toward pop. This song reached #17 and was from the #9 charting 1981 album "Zebop!" Though this song is mellow, it is catchy and enjoyable.      Though Santana sounds like Santana, and has no equal, the opening to the song "Hold On" bears some resemblance to music by the Alan Parsons Project. This song reached #15 and is from the 1982 album "Shango," which reached #22. This song is more strongly pop than "Winning," but is yet another excellent song that begs to be listened over and over.      The last album represented in this collection is 1987's "Blues for Salvador," which reached #195 in the charts. The instrumental "Bella" is a gorgeous piece centered about a guitar, and combines elements of jazz, progressive and rock to create a very mellow and enjoyable piece of music.      Santana has been around for more than three decades, and continues to release new material regularly. His music is continually refreshed by changes in lineup and Santana's enjoyment in his art and ability to please fans while pleasing himself. While you could purchase much more music to truly appreciate the depth of Carlo Santana's music, here is an introduction that will certainly demand you to expand your musical horizons. Enjoy! ——By Lonnie E. Holder "The Review's the Thing" 。
  Santana上世纪70年代——80年代20年超级精选,CD16首歌曲精选自Santana1969年至1987年10张专辑,并由Santana本人亲自参与制作。      There are a couple of Santana best-of compilations out there, and even a few mastersound gold-plated CDs, but this collection is as good a place as any for a newcomer to explore. It contains the band's three essential charters--"Black Magic Woman," "Evil Ways," and "Oye Como Va"--along with some lesser hits. Santana broke barriers, making ethnic-influenced music palatable to the mainstream, but this set doesn't sound like a history lesson. Few bands have ever made better music for driving on a hot summer day, and this CD is ideal for blasting out the windows of your car on a crowded thoroughfare. --Charles R. Cross      All "greatest hits" and "best of" collections are inherently flawed. Almost universally, such collections leave out a favorite song or include songs that make some fans wonder how "best" or "great" was decided. Lastly, these collections are snapshots in time and will thus neglect later songs. Considering these issues, this collection is an excellent representation of Carlos Santana's career until 1998.      This collection does have two flaws. First, it includes only eight of Santana's 20+ albums. Second, this collection only includes songs that represent Santana's most commercial songs. I suppose the commercialism of this collection is to be expected, given that record companies are most interested in a collection that will sell the most. Thus, there is minimal representation of the jazz fusion music that Santana has performed on so many of his CDs.      Getting past the flaws, the 1969 album "Santana" provides the fast-paced and somewhat psychedelic song "Jingo." This song has a very fast beat with a lot of percussion. "Evil Ways" was also from this album and was a top 10 hit for Santana. The third track from this album is "Soul Sacrifice," a hard driving instrumental that seems to me to be the predecessor to some of Santana's later jazz fusion music. This album hit #4 on the Billboard charts and remained on the Billboard Hot 100 chart for 108 weeks.      Santana's next album, "Abraxas," provides three songs, the phenomenal "Black Magic Woman/Gypsy Queen," which reached #4 on the charts, "Oye Como Va," which reached #13 on the charts, and "Samba Pa Ti," a wonderful instrumental. "Abraxas" has been on several lists of the greatest albums of all time, listed at #85 on VH1's list and #205 on "Rolling Stone's" list. The album reached #1 and remained on the charts for 88 weeks.      The third album from Santana was "3," which also reached #1 on the charts and provides two songs for this collection. "No One to Depend On" reached #36 in the charts and "Everybody's Everything," which reached #12. This album was Santana's last #1 album until 1999's "Supernatural."      Santana's music then turned to jazz fusion. The album "Amigos" reached #10 in the charts and provides the longest song in this collection, the eight plus minute "Dance Sister Dance," and the instrumental "Europa." Both these tracks are complex and just a taste of Santana's other, less commercial music.      The song "She's Not There" is one of my favorite Santana songs, which peaked at #27 and is from the #10 album "Moonflower." This song is timeless, but has its roots in the music of the late 60s and early 70s. You can hear a jazz influence in this song even though the song is rock.      The song "Open Invitation" from 1978's "Inner Secrets" is a harder song with lots of guitars. The album reached #27 and was less successful than many of Santana's other albums. This song is a winner and is another of my favorite Santana songs. Yet another fast moving song is "All I Ever Wanted," from the #10 charting album "Marathon." The album was released during the disco era and managed to do well, bucking the disco trend. The song is an excellent song and great for party music.      The song "Winning" is one of the few songs in this collection that veer toward pop. This song reached #17 and was from the #9 charting 1981 album "Zebop!" Though this song is mellow, it is catchy and enjoyable.      Though Santana sounds like Santana, and has no equal, the opening to the song "Hold On" bears some resemblance to music by the Alan Parsons Project. This song reached #15 and is from the 1982 album "Shango," which reached #22. This song is more strongly pop than "Winning," but is yet another excellent song that begs to be listened over and over.      The last album represented in this collection is 1987's "Blues for Salvador," which reached #195 in the charts. The instrumental "Bella" is a gorgeous piece centered about a guitar, and combines elements of jazz, progressive and rock to create a very mellow and enjoyable piece of music.      Santana has been around for more than three decades, and continues to release new material regularly. His music is continually refreshed by changes in lineup and Santana's enjoyment in his art and ability to please fans while pleasing himself. While you could purchase much more music to truly appreciate the depth of Carlo Santana's music, here is an introduction that will certainly demand you to expand your musical horizons. Enjoy! ——By Lonnie E. Holder "The Review's the Thing" 。
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