记忆是人类建立自我概念的必要元素，正是因为个体之间拥有截然不同的生命经验，“我”才能成为“我”。当代的视觉文化提供了一种新的观看方式，却也同时抹去生命的独特性，当我们终于到达文明的巅峰，才发现原来最美好的年代早已随著映像管电视一同消逝。 　　Z世代的自我建构，是尝试将灵魂数位化的一场大型实验，这是专属于我们的祝福和诅咒，从出生那一刻就无法逃离。 　　“美好年代：2000”是荷尔蒙少年全新的影音同步创作专案，也是乐团首次尝试跨领域的作品产出，尝试透过不同角度切入，探讨影像记忆和自我建构之间的关联性。 　　Memory is an inseparable element for humans building our own self-conception. Due to entirely different life experiences of the individuals, I became who I am. 　　The contemporary visual culture provided a new version of the vision, however, it also wiped out the uniqueness of our lives. Only when we finally reach the peak of civilization, we realized the most fabulous ages have faded with the picture tube television. The self-constructed Z generation was a mass experiment trying to digitalize our souls. It was a blessing as well as a curse that we couldn’t escape from the moment we were born. 　　[The Belle Époque] is a brand new audiovisual creative project of Hormone Boys. It is also the first time trying cross-field work. Not only attempting to stand another point of view of seeing things, but also discuss about the relationship between picture memories and self-construction.