by Scott Yanow, CadenceBacked by a fine rhythm section (pianist Marshall Otwell deserves a date of his own) and assisted by Benny Carter's alto on several selections, Ernestine Anderson sounded as if she really enjoyed this session. Best were a rare vocal version of "In a Mellotone" and a Dinah Washington-inspired treatment of "Christopher Columbus," the two most jazz-oriented tracks on this well-rounded album.