In the early '90s, Arista Records marketed Candy Dulfer in the much same way it would market a pop or rock singer and did everything it could to exploit the Dutch saxophonist's great looks. Unfortunately, the sexy publicity shots Arista sent out with her debut effort, Saxuality, were more impressive than the album itself -- a forgettable R&B/pop/jazz recording that's smothered by excessive production. Though the R&B-ish compositions (many written by producer Ulco Bed) aren't bad, the highly predictable Dulfer consistently comes across as a poor man's David Sanborn and does very little improvising. A funk-influenced version of Miles Davis' "So What" might have been worthwhile, but is destroyed by its stiff production and Dulfer's refusal to improvise.