After a successful spell treading the boards as Eliza Doolittle on London's West End, an album of classic show tunes seemed a fairly natural move for Martine McCutcheon. Ever since she first broke into the charts with Perfect Moment in 1999, she demonstrated that she was far more influenced by the likes of Liza Minnelli and Barbra Streisand than she was Madonna and Janet Jackson. There's been a glut of these kinds of albums over the last few years, from Rod Stewart and Robbie Williams to Westlife. McCutcheon clearly has a great fondness for the material here, and she has a big, expressive voice, but unfortunately the pedestrian arrangements on this album render it another dull and unsatisfying effort.