This is smooth jazz at its finest--not the contemporary non-jazz that usurped that name-- but the light, feathery, and unmistakably jazz work of early Nat Cole. Smooth as silk, really, he has a warm, easy-going, and mellifluous voice (yet it's never bland). While some of the songs are strictly for fun (the great "The Frim Fram Sauce" and the less memorable "But She's My Buddy's Chick") he adds a bit more gravitas to such ballads as "Sweet Lorraine" and lays blue shadings onto "Embraceable You."The comping is wonderful, a classic trio sound with Johnny Miller's beautifully articulated bass, and Oscar Moore's versatile guitar. At times, Moore coaxes a ukulele sound out of his instrument; other times he has an incandescent sound that recalls Django Reinhardt. The trio also sings together: "Straighten Up and Fly Right " is like a Do-Wop jazz song. Cole's piano is the height of insouciance, a soft but always swinging style that gets the most out of the minimum. Other highlights include the signature "Route 66," "I'm Thru with Love," "Come to Baby, Do", and "(I Love You) For Sentimental Reasons."This is not the "popular" (and over-produced, in my opinion) Cole of latter years ("Lazy Hazy Days of Summer," "Ramblin' Rose," etc.) but a man firmly rooted in jazz. It's been said by many that his later vocal success overshadows the innovations and influence he showed as a young pianist. (For instrumentals only, I recommend his "Penthouse Serenade"). This album gives you both Cole's voice and piano in the great Cole sans-drummer trio; an excellent selection of songs played by a master, backed with empathy and basking in warmth. (by Allen Geenbaum)