One of Peggy Lee's most intriguing concept LPs of the '50s and '60s, Blues Cross Country teams her with theQuincy Jones Orchestraon a set of swinging blues set all over America, almost a continental version ofSinatra's "Come Fly With Me." She balances standards like "Basin Street Blues," "St. Louis Blues," "I Left My Sugar (In Salt Lake City)," and "Goin' to Chicago Blues" alongside collaborations withJoneson "Los Angeles Blues," "New York City Blues," and "The Train Blues." (She is also the lyricist of four other songs on the album.) ThoughJones' arrangements are often a touch brassier than the blues standards can handle, Lee contributes just the right blend of vigor and feeling to the songs. Blues Cross Country also includes her first waxing of aLeiber-Stollersong, "Kansas City," looking forward to her successful performances of their "I'm a Woman," "Is That All There Is?," and theMirrorsalbum. At little over half an hour, it is a brief LP, and the 1999 CD reissue has two additional tracks. From the same spring 1961 sessions that produced the album came Lee's single recording ofCy ColemanandCarolyn Leigh's "Hey! Look Me Over," the most popular song to emerge from the 1960 Broadway musical Wildcat, also arranged byQuincy Jones. Skipping ahead five years, there was another Lee single, "The Shining Sea," which she wrote withJohnny Mandel, who also arranged it. Neither song fits in with the album's concept, but they at least add more than four minutes to its running time.