The Idiot
发行时间:1977-03-18
发行公司:Virgin Music
简介: Iggy Pop的首张单飞专辑。1977年,Pop一口气发行了两张录音室专辑,这张是第一张。整张的创作和制作是和David Bowie合作完成。整张借鉴了Bowie偏艺术化的电子及器乐氛围,所以风格和他在The Stooges时期的硬朗粗狂很不相同。
In 1976,the Stoogeshad been gone for two years, and Iggy Pop had developed a notorious reputation as one of rock & roll's most spectacular waste cases. After a self-imposed stay in a mental hospital, a significantly more functional Iggy was desperate to prove he could hold down a career in music, and he was given another chance by his longtime ally,David Bowie.
Bowieco-wrote a batch of new songs with Iggy, put together a band, and produced The Idiot, which took Iggy in a new direction decidedly different from the guitar-fueled proto-punk ofthe Stooges. Musically, The Idiot is of a piece with the impressionistic music ofBowie's Berlin Period (such asHeroesandLow), with it's fragmented guitar figures, ominous basslines, and discordant, high-relief keyboard parts. Iggy's new music was cerebral and inward-looking, where his early work had been a glorious call to the id, and Iggy was in more subdued form than withthe Stooges, with his voice sinking into a world-weary baritone that was a decided contrast to the harsh, defiant cry heard on Search and Destroy. Iggy was exploring new territory as a lyricist, and his songs on The Idiot are self-referential and poetic in a way that his work had rarely been in the past; for the most part the results are impressive, especially Dum Dum Boys, a paean to the glory days of his former band, and Nightclubbing, a call to the joys of decadence. The Idiot introduced the world to a very different Iggy Pop, and if the results surprised anyone expecting a replay of the assault ofRaw Power, it also made it clear that Iggy was older, wiser, and still had plenty to say; it's a flawed but powerful and emotionally absorbing work.
Iggy Pop的首张单飞专辑。1977年,Pop一口气发行了两张录音室专辑,这张是第一张。整张的创作和制作是和David Bowie合作完成。整张借鉴了Bowie偏艺术化的电子及器乐氛围,所以风格和他在The Stooges时期的硬朗粗狂很不相同。
In 1976,the Stoogeshad been gone for two years, and Iggy Pop had developed a notorious reputation as one of rock & roll's most spectacular waste cases. After a self-imposed stay in a mental hospital, a significantly more functional Iggy was desperate to prove he could hold down a career in music, and he was given another chance by his longtime ally,David Bowie.
Bowieco-wrote a batch of new songs with Iggy, put together a band, and produced The Idiot, which took Iggy in a new direction decidedly different from the guitar-fueled proto-punk ofthe Stooges. Musically, The Idiot is of a piece with the impressionistic music ofBowie's Berlin Period (such asHeroesandLow), with it's fragmented guitar figures, ominous basslines, and discordant, high-relief keyboard parts. Iggy's new music was cerebral and inward-looking, where his early work had been a glorious call to the id, and Iggy was in more subdued form than withthe Stooges, with his voice sinking into a world-weary baritone that was a decided contrast to the harsh, defiant cry heard on Search and Destroy. Iggy was exploring new territory as a lyricist, and his songs on The Idiot are self-referential and poetic in a way that his work had rarely been in the past; for the most part the results are impressive, especially Dum Dum Boys, a paean to the glory days of his former band, and Nightclubbing, a call to the joys of decadence. The Idiot introduced the world to a very different Iggy Pop, and if the results surprised anyone expecting a replay of the assault ofRaw Power, it also made it clear that Iggy was older, wiser, and still had plenty to say; it's a flawed but powerful and emotionally absorbing work.