The Stage Door Swings

发行时间:2005-08-16
发行公司:Capitol
简介:  Stan Kenton's orchestra was never the place to hear a nice tune played sweetly; arrangers including Kenton himself,Pete Rugolo,Bob Graettinger, andBill Holmancommonly emphasized the progressive end of jazz -- advanced harmonics, complex charts, powerful soloists -- much more than such a simple thing as swing. When Kenton decided to record an album of show tunes in 1958, however, he proceeded directly toLennie Niehaus.   Niehaus, an altoist with the Kenton band beginning nearly a decade earlier, had written a chart for "Pennies from Heaven" in 1953 that proved to be a highlight of theSketches on StandardsLP. (Kenton would probably have chosenBill Russo, who had helmed his two previous standards LPs of the '50s, but he had left the band a few years earlier.) Kenton's band of 1958 didn't boast the firepower of earlier editions, but new arrivalsJack SheldonandBill Trujillocontribute a lot to the highlight, "The Party's Over" (which,Michael Sparke's liner notes tell us, was often used by the contrarian Kenton to begin his sets). Elsewhere,Niehausgives himself a feature on the hard-swinging "Baubles, Bangles & Beads."
  Stan Kenton's orchestra was never the place to hear a nice tune played sweetly; arrangers including Kenton himself,Pete Rugolo,Bob Graettinger, andBill Holmancommonly emphasized the progressive end of jazz -- advanced harmonics, complex charts, powerful soloists -- much more than such a simple thing as swing. When Kenton decided to record an album of show tunes in 1958, however, he proceeded directly toLennie Niehaus.   Niehaus, an altoist with the Kenton band beginning nearly a decade earlier, had written a chart for "Pennies from Heaven" in 1953 that proved to be a highlight of theSketches on StandardsLP. (Kenton would probably have chosenBill Russo, who had helmed his two previous standards LPs of the '50s, but he had left the band a few years earlier.) Kenton's band of 1958 didn't boast the firepower of earlier editions, but new arrivalsJack SheldonandBill Trujillocontribute a lot to the highlight, "The Party's Over" (which,Michael Sparke's liner notes tell us, was often used by the contrarian Kenton to begin his sets). Elsewhere,Niehausgives himself a feature on the hard-swinging "Baubles, Bangles & Beads."