Renowned for his long collaboration with Fats Waller, Al Casey towers alongside the finest acoustic guitarists of the swing era, boasting a subtly powerful presence that flourished in intimate musical contexts. Born September 15, 1915, in Louisville, KY, Casey was a child prodigy who first adopted the violin, briefly moving to the ukulele before zeroing in on the guitar, which he studied at New York Citys DeWitt Clinton High School. He joined Waller while in his mid-teens, recommended to the legendary pianist by his uncles, who met Waller while on tour with their gospel group the Southern Singers. Waller insisted Casey remain in school and earn his diploma before he could join the group full-time, but the guitarist was a fixture of recording sessions from the early 30s onward, and even joined Waller on tour during extended holiday breaks. Casey remained with the group until Wallers 1943 death, appearing on more than 200 classic swing sides; the famous blues number Buck Jumpin took shape after Casey appeared late to a gig, prompting Waller to single him out on-stage and invite him to play a solo. The result was so electrifying that it was later captured in the studio.
Casey also recorded with trumpeter Louis Armstrong, singer Billie Holiday, vibist Lionel Hampton, and pianist Teddy Wilson, even joining the latters short-lived big band in 1939. After Wallers passing, he played with pianist Clarence Profits trio before assembling his own trio, which headlined New Yorks Onyx Club for close to a year before moving to the Down Beat. Around this time Casey moved to the electric guitar, and in both 1944 and 1945 he was named the instruments top player in Esquire magazines annual jazz poll; he spent much of the decade to follow as a gun-for-hire, capped off by a four-year collaboration with R&B saxophonist King Curtis initiated in 1957. Casey briefly retired from music in 1961, working in a Xerox copy shop before returning to performing, recording sessions in support of singer Helen Humes and pianist Jay McShann. After another extended period of retirement, he resurfaced in 1981 with the Harlem Jazz and Blues Band, which remained his primary vehicle for the next two decades; in 1994, he also cut his first headlining date, signing to the Jazzpoint label for A Tribute to Fats. After a long battle with colon cancer, Casey died on September 11, 2005, just days short of his 90th birthday.
Renowned for his long collaboration with Fats Waller, Al Casey towers alongside the finest acoustic guitarists of the swing era, boasting a subtly powerful presence that flourished in intimate musical contexts. Born September 15, 1915, in Louisville, KY, Casey was a child prodigy who first adopted the violin, briefly moving to the ukulele before zeroing in on the guitar, which he studied at New York Citys DeWitt Clinton High School. He joined Waller while in his mid-teens, recommended to the legendary pianist by his uncles, who met Waller while on tour with their gospel group the Southern Singers. Waller insisted Casey remain in school and earn his diploma before he could join the group full-time, but the guitarist was a fixture of recording sessions from the early 30s onward, and even joined Waller on tour during extended holiday breaks. Casey remained with the group until Wallers 1943 death, appearing on more than 200 classic swing sides; the famous blues number Buck Jumpin took shape after Casey appeared late to a gig, prompting Waller to single him out on-stage and invite him to play a solo. The result was so electrifying that it was later captured in the studio.
Casey also recorded with trumpeter Louis Armstrong, singer Billie Holiday, vibist Lionel Hampton, and pianist Teddy Wilson, even joining the latters short-lived big band in 1939. After Wallers passing, he played with pianist Clarence Profits trio before assembling his own trio, which headlined New Yorks Onyx Club for close to a year before moving to the Down Beat. Around this time Casey moved to the electric guitar, and in both 1944 and 1945 he was named the instruments top player in Esquire magazines annual jazz poll; he spent much of the decade to follow as a gun-for-hire, capped off by a four-year collaboration with R&B saxophonist King Curtis initiated in 1957. Casey briefly retired from music in 1961, working in a Xerox copy shop before returning to performing, recording sessions in support of singer Helen Humes and pianist Jay McShann. After another extended period of retirement, he resurfaced in 1981 with the Harlem Jazz and Blues Band, which remained his primary vehicle for the next two decades; in 1994, he also cut his first headlining date, signing to the Jazzpoint label for A Tribute to Fats. After a long battle with colon cancer, Casey died on September 11, 2005, just days short of his 90th birthday.
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