来自乌克兰的女高音歌唱家,联合国儿童基金组织亲善大使
Guleghina made her stage debut in 1985 as Yolantha at the State Opera in Minsk (Belarus) shortly before leaving USSR to pursue an international career.
Her international debut came in 1987 as Amelia (opposite Luciano Pavarottis Riccardo) in a production of Un ballo in maschera at La Scala. Leading roles in I due Foscari, Manon Lescaut, and Tosca followed, and soon she was engaged to perform in Vienna, Munich, Hamburg, London, and other major European opera houses. She made her debut at the Paris Opéra in 1995, in the killer-role of Abigaille in Nabucco.
Her American debut took place at The Metropolitan Opera in 1990, where she sang Maddalena in Andrea Chénier. She has also appeared at the San Francisco Opera and the Lyric Opera of Chicago, adding the lead soprano roles in works such as Ernani, Simon Boccanegra, Cavalleria rusticana, Fedora. She later added other demanding roles such as Odabella in Attila (opera) and Lady Macbeth in Macbeth (opera), to her ever-growing repertoire. She also debuted at Mariinsky Theater in St. Petersburg, Russia in 1992 as Lisa in Tchaikovskys The Queen of Spades.
Guleghina has also performed in Japan many times (twice as a part of La Scalas tours of Japan) and has a fan base there. She is considered by most as one of the leading dramatic sopranos of her generation. Though her technique is inconsistent, she is largely admired for her warm and rich voice, strong stage presence, and absolute dramatic commitment to her roles on the stage. She sang the opening aria (Aida) at the official opening of the new National Opera House in Oslo. Through November 2009 she starred as Turandot in the opera Turandot at the Met in New York. She represented Russia by singing during the closing ceremony of the 2010 Winter Olympics in Vancouver during the handover of the Olympic flag.
来自乌克兰的女高音歌唱家,联合国儿童基金组织亲善大使
Guleghina made her stage debut in 1985 as Yolantha at the State Opera in Minsk (Belarus) shortly before leaving USSR to pursue an international career.
Her international debut came in 1987 as Amelia (opposite Luciano Pavarottis Riccardo) in a production of Un ballo in maschera at La Scala. Leading roles in I due Foscari, Manon Lescaut, and Tosca followed, and soon she was engaged to perform in Vienna, Munich, Hamburg, London, and other major European opera houses. She made her debut at the Paris Opéra in 1995, in the killer-role of Abigaille in Nabucco.
Her American debut took place at The Metropolitan Opera in 1990, where she sang Maddalena in Andrea Chénier. She has also appeared at the San Francisco Opera and the Lyric Opera of Chicago, adding the lead soprano roles in works such as Ernani, Simon Boccanegra, Cavalleria rusticana, Fedora. She later added other demanding roles such as Odabella in Attila (opera) and Lady Macbeth in Macbeth (opera), to her ever-growing repertoire. She also debuted at Mariinsky Theater in St. Petersburg, Russia in 1992 as Lisa in Tchaikovskys The Queen of Spades.
Guleghina has also performed in Japan many times (twice as a part of La Scalas tours of Japan) and has a fan base there. She is considered by most as one of the leading dramatic sopranos of her generation. Though her technique is inconsistent, she is largely admired for her warm and rich voice, strong stage presence, and absolute dramatic commitment to her roles on the stage. She sang the opening aria (Aida) at the official opening of the new National Opera House in Oslo. Through November 2009 she starred as Turandot in the opera Turandot at the Met in New York. She represented Russia by singing during the closing ceremony of the 2010 Winter Olympics in Vancouver during the handover of the Olympic flag.