Tim Motzer finds infinite joy in diversity. His output as a leader and sideman crisscrosses multiple musical universes, including jazz, fusion, prog, hip-hop, soul, electronica, and the avantgarde. Motzer gets to explore these genres and the intersections between them via his ubiquitous presence in the wildly deep and varied Philly scene, where he can be found working with the likes of DJ/Producer King Britt, spoken word/hip-hop artist Ursula Rucker, and jazz-fusion bassist Jamaaladeen Tacuma, just to name a few. He also traverses manifold territories through the many albums released on his own 1k Recordings label” Anil Prasad – Guitar Player Magazine 2007Motzer has worked on releases by British singer-songwriter David Sylvian (Nine Horses, Sleepwalkers) and the ongoing Secret Rhythms project comprising electronica/dub luminary Burnt Friedman and ex-Can drummer Jaki Liebezeit. Secret Rhythms 3 [Nonplace] prominently features Motzer in propulsive acoustic and fuzzedout electric modes, accompanying Liebezeit’s multi-ethnic percussion excursions and Friedman’s avant-electronica arrangements. Motzer has joined them once again on SR5, their May 2013 release, making it 4 for 5 in the Secret Rhythms series of releases on Nonplace, Berlin. 　　With King Britt, Motzer composed, improvised, and co-produced the album King Britt presents: Sister Gertrude Morgan for Ropeadope Records. He collaborated and worked with Britt on a number of classic remixes for artists including the OJays, Curtis Mayfield, Chic, George Duke, Everything But The Girl and Santogold, among many others. He contributed scoring to Michael Mann’s films Miami Vice, and Public Enemy, as well as HBO’s True Blood hit series.