Olivier Mateu’s wide-ranging inspirations and interests find their ultimate outlet as his alias took form into Rodriguez Jr., positioning him as mobilee’s new master of eclecticism. 　　Rodriguez Jr. reveals a different incarnation of Mateu’s musical psyche, one that strides ahead, guided only by his kaleidoscopic vision; moving through shimmering, contemplative electronica, to deep and urgent techno, left field melodic accents and quirky pop refrains, Rodriguez Jr. is the by-product of an untamed brand of creativity and a thirst for the new and unexpected. Drawing inspiration from artists as diverse as Stockhausen, LFO, Carl Craig, Eric Satie, Kraftwerk, and Michael Polnareff, Rodriguez Jr.’s spirit of adventure translates as soaring creativity, and music that cannot be pigeonholed. 　　For a solid 10 hours a day, Mateu manifests Rodriguez Jr. in his MLab Mk5 studio, which brims with vintage synthesizers, keyboards and dusty analog gear. Acclaimed Rodriguez Jr. releases for imprints such as Mothership, Boxer Records and Giant Wheels, prefaced the quirky melodies of his bass-driven house hit Princess Guacamole for mobilee records, and the tropical techno of Kids of Hula for it’s sister label Leena Music. Drawing both pleasure and inspiration from live performance, Rodriguez Jr. relishes the opportunity to realize his project on the stage, and has done extensively throughout Europe and America during some of his most acclaimed shows at Tomorrowland in Belgium, ADE in Amsterdam, Sonar Off in Barcelona, Showcase in Paris, Watergate in Berlin, Hardpop in Juarez and Kristal in Bucharest. Two heavy milestones were passed when his first-ever solo album titled „Bittersweet“ was released on Mobilee Records in 2012 followed by the 7th mobilee back to back compilation one year later. 　　His talents are not just limited to the dance floor. When fashion brands Hugo Boss and Gucci sought out a more fresh, urban and organic identity, they called in Mateu to produce their music for the project. 　　As he restlessly seeks out the ultimate intersection between all of his disparate influences, Mateu explains it best: “Good electronic music is not a jail,” he says, “It should be enjoyable everywhere, from dance floors to living rooms, and by everybody.” Now an integral part of the mobilee family, Mateu will continue to channel his vision, passion, and love of music into all that he does, and all that will come.