Carlo Allemano was born in Torino. He studied with maestro E. Battaglia. In 1989 he was the first prizewinner at the Toti dal Monte Singing Competition in Treviso in 1989, and in 1990 he was the first prizewinner at the Mozart-Competition at the Wiener Staatsoper. Since then Carlo Vincenzo Allemano has established himself as a leading opera and concert singer. He regularly sings with conductors such as Christophe Rousset, Emmanuelle Haïm, René Jacobs, Wolfgang Sawallisch, Claudio Abbado, Riccardo Muti, Zubin Mehta, Leopold Hager, G. Gavazzeni, Marco Guidarini, Fabio Biondi, Alessando DeMarchi. Carlo Vincenzo Allemano has appeared in many of the most important Opera Houses and Festivals: Teatro Alla Scala Milan, Wiener Staatsoper, Wiener Volksoper, Bayerische Staatsoper München, La Monnaie Brussels, Glyndebourne Touring Opera, Opéra national du Rhin Strasbourg, Maggio Musicale Fiorentino Firenze, the New Israeli Opera Tel Aviv, Barbican Theatre in London, the Glyndebourne Festival, Salzburg Festival, Beaune Festival, Ravenna Festival, Festival in Martina Franca… Carlo Allemano’s opera roles include: Don Basilio in Nozze di Figaro in Teatro alla Scala with Riccardo Muti and in Ferrara with Claudio Abbado (staged by Jonathan Miller); Clemenza di Tito in Venece, La Fenice with Dantone/Heermann; Don Ottavio in Don Giovanni in Wiener Staatsoper staged by Gorgio Strehler; Arturo in Lucia di Lammermoor in Teatro Regio Torino under the baton of Bruno Campanella; Cassio in Otello in Teatro alla Scala Milan, Bayerische Staatsoper München (Z. Mehta/G.Vick), Orfeo (title-role) in Monteverdi’s Orfeo (Barbican London, Festival Aix en Provence, Champs-Elysées Paris, Grand Theatre de La monnaie Bruxelles) with R.Jacobs/S.Keenlyside; Il Tempo in Händel’s Trionfo del Tempo e del disinganno (Festival Beaune, Champs-Elysées,Valencia,Poitiers…) with E. Haim and Le Concert d’Astrée; Hyllus in Händel’s Hercules in Händelfestpiele Halle under the baton of Alessandro De Marchi; Bajazet in Händel’s Tamerlano in Lille Opera, Théâtre des Champs-Elysées with E. Haim; Ercole (title-role) in Vivaldi’s Ercole sul Termondonte in Teatro La Fenice, Wien Konzerthaus, Théâtre des Champs-Elysees with F. Biondi and Europa Galante; Hasse’s Piramo e Tisbe in Musikfestpiele Potsdam Sanssouci, Provenzale’s Stellidaura in Innsbruck Festival under the baton of Alessandro de Marchi with Accademia Montis Regalis.